They were then at luncheon. For the father there was biscuit and milk.
For the son there was an egg cooked in a potato. Yet, in the kitchen,
or, if not there, somewhere about, were three chefs. Moreover on the
walls were Beauvais. The ceiling was the spoil of a Venetian palace. The
luncheon however simple was not therefore disagreeable.
With an uplift of the chin, the elder man flicked a crumb and sat back.
The action was a signal. Three servants filed out.
Formerly his manner had been cited and imitated. To many a woman it had
been myrrh and cassia. It had been deadly nightshade as well. After a
fashion of long ago, he wore a cavalry moustache which, once black, now
was white. He was tall, bald, very thin. But that air of his, the air of
one accustomed to immediate obedience, yet which could be very urbane
and equally insolent, that air endured.
In sitting back he looked at his son for whom he had no affection. For
no human being had he ever had any affection, except for himself, and
latterly even that unique love had waned.
The chefs, originally retained on shifts of eight hours each, in order
that this man might breakfast or sup whenever he so desired, that he
might breakfast, as a gentleman may, at four in the afternoon, or sup at
seven in the morning, these chefs were useless. His wife, who had died,
not as one might suppose of a broken heart but of fatty degeneration,
had succumbed to their delicately toxic surprises with groans but also
with thanksgiving.
That is ancient history. At present her widower supped on powdered
charcoal and breakfasted on bismuth. The cooks he still retained, not to
prepare these triumphs, but for the benefit of his heir, for whom he had
no affection but whom he respected as the next incumbent and treated
accordingly, that is to say, as one gentleman treats another.
On this high noon, when the servants had gone, the father sat back and
looked at his son, who, it then occurred to him, astonishingly resembled
his mother. He had the same eyes, too big, too blue; the same lashes,
too long, too dark; the same ears, too small and a trifle too far
forward. In addition he had the same full upper-lip, the same cleft in
the chin, the same features refined almost to the point of degeneracy.
But the ensemble was charming--too charming, as was his voice, which he
had acquired at Oxford where, at the House, he had studied, though what,
except voice culture, one may surmise and never know. Men generally
disliked him and accounted the way he spoke, or the way he looked, the
reason. But what repelled them was probably his aura of which, though
unaware, they were not perhaps unconscious.
His father motioned: "Thank God, you are here. At any moment now we may
be in it and you will have to go. You are not a divinity student and you
cannot be a slacker."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account