All eyes were raised and unanimously followed the shabby figure which
had just emerged from behind the church and now started into the road
leading away from the common toward the north.
"Walks pretty straight fer him, don't he?" snickered the first speaker.
"He's not ben tight fer two days."
"Bet ye a jack-knife he'll be spreein' it fer all he's wuth to-morrow."
Fortunately these comments did not reach the ears of their object, who,
all unconscious of the interest which he inspired, made good his way at
a fairly rapid pace.
Presently he stopped.
With muslin skirts swaying, hair rumpled, and fair young face flushed
with exertion, Phoebe Wise was hurrying toward the common. She was
almost running in her haste, for she was late and the Shakespeare class
was a momentous institution.
"Oh, say, Cousin Phoebe," was the man's greeting, "can you tell me ef
yer sister's to home?"
The young girl came to a sudden full stop in her surprise. This cousinly
greeting from the village reprobate was as exciting and as inexplicable
as it was unheard of.
"Why, Mr. Droop!" she exclaimed, "I--I--I s'pose so."
The truth was the truth, after all. But it was hard on Rebecca. What
_could_ this man want with her sister?
Droop nodded and passed on.
"Thank ye. Don't stop fer me," he said.
Phoebe moved forward slowly, watching Copernicus over her shoulder.
She noted his steady steps and pale face and, reassured, resumed her
flying progress with redoubled vigor. After all, Rebecca was forty-two
years old and well able to take care of herself.
Meanwhile, Rebecca Wise, having carefully wrung out her dishcloth,
poured out the water and swept the little sink, was slowly untying her
kitchen apron, full of a thankful sense of the quiet hour before her
wherein to knit and muse beside the front window of her little parlor.
In the centre of this room there stood a wide, round table, bearing a
large kerosene-lamp and the week's mending. At the back and opposite the
two windows stood the well-blacked, shiny, air-tight stove. Above this
was a wooden mantel, painted to imitate marble, whereon were deposited
two photographs, four curious Chinese shells, and a plaster cross to
which there clung a very plaster young woman in scant attire, the whole
being marked "Rock of Ages" in gilt letters at the base.
Public-domain text, read in full here on John Shaqi.
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