He had brought with him a camera, several hundred plates, and a complete
developing and printing outfit. He determined to set up as a
professional photographer. His living would cost him nothing, as the
Panchronicon was well stored with provisions. To judge by his
surroundings, his privacy would probably be respected. Then, by setting
up as a photographer he would at least earn a small amount of current
coin and perhaps attract some rich and powerful backer by the novelty
and excellence of his process. On this chance he relied for procuring
the capital which was undoubtedly necessary for his purpose.
By noon of the next day he had begun operations, having taken two or
three views of familiar scenes in the neighborhood, which he affixed as
samples to a large cardboard sign on which he had printed, in large
type:
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| |
| AMERICAN PHOTOGRAPHER |
| |
| THE ONLY ONE IN EXISTENCE |
| |
| _Step up and have your picture taken_ |
| |
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This sign he nailed to a tree near the road which he made his
headquarters. He preferred to keep the location and nature of his abode
a secret, and so spent his days under his tree or sitting in the porch
of some neighboring house, for he was not long in making friends, and
his marvellous tales made him very popular.
It was difficult for him to fix a price at first, not being acquainted
with the coin of the realm, but he put his whole mind to the acquisition
of reliable information on this point, and his native shrewdness brought
him success.
He found that it was wisest for every reason to let it be believed that
the pictures were produced by hand. The camera, he explained, was a mere
aid to accuracy of observation and memory in reproduction of what he saw
through it. Thus he was able to command much higher prices for the
excellence and perfection of his work and, had he but known it, further
avoided suspicion of witchcraft which would probably have attached to
him had he let it be known that the camera really produced the picture.
In the course of his daily gossip with neighbors and with the customers,
rustic and urban, who were attracted by his fame, he soon learned that
"Good Queen Bess" ruled the land, and his speech gradually took on a
tinge of the Elizabethan manner and vocabulary which, mingling with his
native New England idioms, produced a very picturesque effect.
Public-domain text, read in full here on John Shaqi.
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