It is eminently worthy of notice that the lavish and bold imagery of Ezekiel effectually served the immediate purpose for which it was employed; it attracted the people's regard, explained the prophecy to their understandings, and fixed the lessons in their memories. It is true, indeed, that they did not repent; but this only shows that parables, even when dictated by the Spirit, have not inherent power to convert; even God's word may, through the hearer's sin, remain a dead letter in his hand. It emerges incidentally in the history that the preaching of Ezekiel was eminently popular; crowds came out to hear and see. The ultimate spiritual success lies in other hands; but in as far as the instrument is concerned, it is proved, from the experience of this ancient prophet, that the mastery of analogies draws the people round the preacher's feet, and brings his lessons into contact with their minds and hearts. In modern times, much argument is employed to prove that the drama may be pure in itself, and effectual as a moral educator,--argument which, however excellent it may be in theory, has hitherto proved impotent in fact. But from the beginning it was not so; Ezekiel was a dramatist; he acted his prophecies and his preachings on a stage. The warnings were in this form clearly articulated, and forcefully driven home; if they failed to produce the ultimate result of repentance, the obstacle lay not in the feebleness of the instrument, but in the wilful hardness of the subject whereon the instrument was plied. Dramatic representation in the simplicity of its infancy was a golden vessel of the sanctuary, employed in the service of God; long ago it was carried away into Babylon, and profanely used as a wine cup in the orgies of idols. Whether it shall ever be wrenched from the enemy, purified, and restored to the service of the temple, I know not.