The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
With this famous broiled herring the morning papers are served up; and a
great part of these, too, gives opportunity of reflection to the
new-comer, and shows him how different this country is from his own.
Some hundred years hence, when students want to inform themselves of the
history of the present day, and refer to files of _Times_ and
_Chronicle_ for the purpose, I think it is possible that they will
consult, not so much those luminous and philosophical leading articles
which call our attention at present both by the majesty of their
eloquence and the largeness of their type, but that they will turn to
those parts of the journals into which information is squeezed into the
smallest possible print, to the advertisements, namely, the law and
police reports, and to the instructive narratives supplied by that
ill-used body of men who transcribe knowledge at the rate of a penny a
line.
The papers before me (the _Morning Register_, Liberal and Roman
Catholic; _Saunders’s News-Letter_, neutral and Conservative) give a
lively picture of the movement of city and country on this present
fourth day of July, and the Englishman can scarcely fail, as he reads
them, to note many small points of difference existing between his own
country and this. How do the Irish amuse themselves in the capital? The
love for theatrical exhibitions is evidently not very great. Theatre
Royal--Miss Kemble and the Sonnambula, an Anglo-Italian importation.
Theatre Royal, Abbey Street--The Temple of Magic and the Wizard, last
week. Adelphi Theatre, Great Brunswick Street--The Original Seven
Lancashire Bell-ringers: a delicious excitement indeed! Portobello
Gardens--‘THE LAST ERUPTION BUT SIX,’ says the advertisement in
capitals. And, finally, ‘Miss Hayes will give her first and farewell
concert at the Rotunda, previous to leaving her native country.’ Only
one instance of Irish talent do we read of, and that, in a desponding
tone, announces its intention of quitting its native country. All the
rest of the pleasures of the evening are importations from cockney-land.
The Sonnambula from Covent Garden, the Wizard from the Strand, the Seven
Lancashire Bell-ringers, from Islington or the City Road, no doubt; and
as for ‘The last Eruption but Six,’ it has _erumped_ near the Elephant
and Castle any time these two years, until the cockneys would wonder at
it no longer.
The commercial advertisements are but few--a few horses and cars for
sale; some flaming announcements of insurance companies; some
‘emporiums’ of Scotch tweeds and English broadcloths; an auction for
damaged sugar; and an estate or two for sale. They lie in the columns
languidly, and at their ease as it were: how different from the throng,
and squeeze, and bustle of the commercial part of a London paper, where
every man (except Mr. George Robins) states his case as briefly as
possible, because thousands more are to be heard besides himself, and as
if he had no time for talking!
Public-domain text, read in full here on John Shaqi.
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