The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
At the door of the Kildare Street Club, I saw eight gentlemen looking
at two boys playing at leapfrog: at the door of the University six lazy
porters, in jockey-caps, were sunning themselves on a bench--a sort of
blue-bottle race; and the Bank on the opposite side did not look as if
sixpence-worth of change had been negotiated there during the day. There
was a lad pretending to sell umbrellas under the colonnade, almost the
only instance of trade going on; and I began to think of Juan Fernandez,
or Cambridge in the long vacation. In the courts of the College, scarce
the ghost of a gyp or the shadow of a bed-maker.
In spite of the solitude, the square of the College is a fine sight--a
large ground, surrounded by buildings of various ages and styles, but
comfortable, handsome, and in good repair; a modern row of rooms; a row
that has been Elizabethan once; a hall and senate-house, facing each
other, of the style of George I.; and a noble library, with a range of
many windows, and a fine manly simple façade of cut stone. The library
was shut. The librarian, I suppose, is at the seaside; and the only part
of the establishment which I could see was the museum, to which one of
the jockey-capped porters conducted me, up a wide dismal staircase
(adorned with an old pair of jack-boots, a dusty canoe or two, a few
helmets, and a South Sea Islander’s armour) which passes through a hall
hung round with cobwebs (with which the blue-bottles are too wise to
meddle), into an old mouldy room, filled with dingy glass-cases, under
which the articles of curiosity or science were partially visible. In
the middle was a very _seedy_ camelopard (the word has grown to be
English by this time), the straw splitting through his tight old skin
and the black cobblers’-wax stuffing the dim orifices of his eyes. Other
beasts formed a pleasing group around him, not so tall, but equally
mouldy and old. The porter took me round to the cases, and told me a
great number of fibs concerning their contents: there was the harp of
Brian Borou, and the sword of some one else, and other cheap old
gimcracks with their corollary of lies. The place would have been a
disgrace to Don Saltero. I was quite glad to walk out of it, and down
the dirty staircase again, about the ornaments of which the
jockey-capped gyp had more figments to tell; an atrocious one (I forget
what) relative to the pair of boots; near which--a fine specimen of
collegiate taste--were the shoes of Mr. O’Brien, the Irish giant. If the
collection is worth preserving,--and indeed the mineralogical specimens
look quite as awful as those in the British Museum,--one thing is clear,
that the rooms are worth sweeping. A pail of water costs nothing, a
scrubbing-brush not much, and a charwoman might be hired for a trifle,
to keep the room in a decent state of cleanliness.
Public-domain text, read in full here on John Shaqi.
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