The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
Among the curiosities is a mask of the Dean--not the scoffer and giber,
not the fiery politician, nor the courtier of St. John and Harley,
equally ready with servility and scorn; but the poor old man, whose
great intellect had deserted him, and who died old, wild, and sad. The
tall forehead is fallen away in a ruin, the mouth has settled in a
hideous, vacant smile. Well, it was a mercy for Stella that she died
first; it was better that she should be killed by his unkindness than by
the sight of his misery; which, to such a gentle heart as that, would
have been harder still to bear.
The Bank and other public buildings of Dublin are justly famous. In the
former may still be seen the room which was the House of Lords formerly,
and where the Bank directors now sit, under a clean marble image of
George III. The House of Commons has disappeared, for the accommodation
of clerks and cashiers. The interior is light, splendid, airy, well
furnished, and the outside of the building not less so. The Exchange,
hard by, is an equally magnificent structure; but the genius of commerce
has deserted it, for all its architectural beauty. There was nobody
inside when I entered, but a pert statue of George III. in a Roman toga,
simpering and turning out his toes; and two dirty children playing,
whose hoop-sticks caused great clattering echoes under the vacant
sounding dome. The neighbourhood is not cheerful, and has a dingy
poverty-stricken look.
Walking towards the river, you have on either side of you, at Carlisle
Bridge, a very brilliant and beautiful prospect. The Four Courts and
their dome to the left, the Custom-house and its dome to the right; and
in this direction seaward, a considerable number of vessels are moored,
and the quays are black and busy with the cargoes discharged from ships.
Seamen cheering, herring-women bawling, coal-carts loading--the scene is
animated and lively. Yonder is the famous Corn Exchange; but the Lord
Mayor is attending to his duties in Parliament, and little of note is
going on. I had just passed his lordship’s mansion in Dawson Street,--a
queer old dirty brick house, with dumpy urns at each extremity, and
looking as if a story of it had been cut off--a _rasée_ house. Close at
hand, and peering over a paling, is a statue of our blessed sovereign
George II. How absurd these pompous images look, of defunct majesties,
for whom no breathing soul cares a halfpenny! It is not so with the
effigy of William III., who has done something to merit a statue. At
this minute the Lord Mayor has William’s effigy under a canvas, and is
painting him of a bright green picked out with yellow--his lordship’s’
own livery.
Public-domain text, read in full here on John Shaqi.
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