The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
Now in countries where fools most abound, did one ever read of more
monstrous palpable folly? In any country; save this, would a poet who
chose to write four crack-brained verses comparing an angel to a dove,
and a little boy to a reed, and calling upon the chief magistrate, in
the name of the angel, or dove (the Princess Mary), in her tomb, and the
little infant in his cradle, to spare a criminal, have received a
‘gracious answer’ to his nonsense? Would he have ever despatched the
nonsense? and would any journalist have been silly enough to talk of
‘the noble voice that could thus speak to the throne,’ and the noble
throne that could return such a noble answer to the noble voice? You get
nothing done here gravely and decently. Tawdry stage-tricks are played,
and braggadocio claptraps uttered, on every occasion, however sacred or
solemn; in the face of death, as by Barbès with his hideous Indian
metaphor; in the teeth of reason, as by M. Victor Hugo with his
twopenny-post poetry; and of justice, as by the King’s absurd reply to
this absurd demand! Suppose the Count of Paris to be twenty times a
reed, and the Princess Mary a host of angels, is that any reason why the
law should not have its course? Justice is the God of our lower world,
our great omnipresent guardian: as such it moves, or should move on,
majestic, awful, irresistible, having no passions--like a God: but, in
the very midst of the path across which it is to pass, lo! M. Victor
Hugo trips forward, smirking, and says, O divine Justice! I will trouble
you to listen to the following trifling effusion of mine:
‘_Par votre ange envolé, ainsi qu’une_,’ etc.
Awful Justice stops, and, bowing gravely, listens to M. Hugo’s verses,
and, with true French politeness, says, ‘Mon cher Monsieur, these verses
are charming, _ravissants, délicieux_, and, coming from such a
_célébrité littéraire_ as yourself, shall meet with every possible
attention--in fact, had I required anything to confirm my own previous
opinions, this charming poem would have done so. Bon jour, mon cher
Monsieur Hugo, au revoir!’--and they part:--Justice taking off his hat
and bowing, and the Author of _Ruy Blas_ quite convinced that he has
been treating with him _d’égal à égal_. I can hardly bring my mind to
fancy that anything is serious in France--it seems to be all rant,
tinsel, and stage-play. Sham liberty, sham monarchy, sham glory, sham
justice,--_où, diable, donc la vérité va-t-elle se nicher_?
* * * * *
The last rocket of the fête of July has just mounted, exploded, made a
portentous bang, and emitted a gorgeous show of blue-lights, and then
(like many reputations) disappeared totally: the hundredth gun on the
Invalid Terrace has uttered its last roar--and a great comfort it is
for eyes and ears that the festival is over. We shall be able to go
about our every-day business again, and not be hustled by the gendarmes
or the crowd.
Public-domain text, read in full here on John Shaqi.
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