The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch BookThackeray, William Makepeace
General
The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book
Thackeray, William Makepeace
Ireland -- Description and travel; Paris (France) -- Description and travel
The three collections of pictures at the Louvre, the Luxembourg, and the
École des Beaux Arts, contain a number of specimens of French art, since
its commencement almost, and give the stranger a pretty fair opportunity
to study and appreciate the school. The French list of painters contains
some very good names--no very great ones, except Poussin (unless the
admirers of Claude choose to rank him among great painters),--and I
think the school was never in so flourishing a condition as it is at the
present day. They say there are three thousand artists in this town
alone: of these a handsome minority paint not merely tolerably, but well
understand their business; draw the figure accurately; sketch with
cleverness; and paint portraits, churches, or restaurateurs’ shops, in a
decent manner.
To account for a superiority over England--which, I think, as regards
art, is incontestable--it must be remembered that the painter’s trade,
in France, is a very good one; better appreciated, better understood,
and, generally, far better paid than with us. There are a dozen
excellent schools in which a lad may enter here, and, under the eye of a
practised master, learn the apprenticeship of his art at an expense of
about ten pounds a year. In England there is no school except the
Academy, unless the student can afford to pay a very large sum, and
place himself under the tuition of some particular artist. Here, a young
man, for his ten pounds, has all sorts of accessory instruction, models,
etc.; and has, further, and for nothing, numberless incitements to study
his profession which are not to be found in England,--the streets are
filled with picture-shops, the people themselves are pictures walking
about; the churches, theatres, eating-houses, concert-rooms are covered
with pictures; Nature herself is inclined more kindly to him, for the
sky is a thousand times more bright and beautiful, and the sun shines
for the greater part of the year. Add to this incitements more selfish,
but quite as powerful: a French artist is paid very handsomely; for five
hundred a year is much where all are poor; and has a rank in society
rather above his merits than below them, being caressed by hosts and
hostesses in places where titles are laughed at, and a baron is thought
of no more account than a banker’s clerk.
Public-domain text, read in full here on John Shaqi.
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