The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
She seemed to breathe out from the depths of her heart the intense
pathos of the original romance, so far exceeding that of the opera,-the
human tenderness, the mystic terror of a tragic love-tale more solemn in
its sweetness than that of Verona.
When her voice died away no applause came,--not even a murmur. Isaura
bashfully turned round to steal a glance at her silent listener,
and beheld moistened eyes and quivering lips. At that moment she was
reconciled to her art. Graham rose abruptly and walked to the window.
“Do you doubt now if you are fond of music?” cried the Venosta.
“This is more than music,” answered Graham, still with averted face.
Then, after a short pause, he approached Isaura, and said, with a
melancholy half-smile,--
“I do not think, Mademoiselle, that I could dare to hear you often; it
would take me too far from the hard real world: and he who would not be
left behindhand on the road that he must journey cannot indulge frequent
excursions into fairyland.”
“Yet,” said Isaura, in a tone yet sadder, “I was told in my childhood,
by one whose genius gives authority to her words, that beside the real
world lies the ideal. The real world then seemed rough to me. ‘Escape,’
said my counsellor, ‘is granted from that stony thoroughfare into the
fields beyond its formal hedgerows. The ideal world has its sorrows,
but it never admits despair.’ That counsel then, methought, decided my
choice of life. I know not now if it has done so.”
“Fate,” answered Graham, slowly and thoughtfully, “Fate, which is not
the ruler but the servant of Providence, decides our choice of life, and
rarely from outward circumstances. Usually the motive power is within.
We apply the word ‘genius’ to the minds of the gifted few; but in all
of us there is a genius that is inborn, a pervading something which
distinguishes our very identity, and dictates to the conscience that
which we are best fitted to do and to be. In so dictating it compels our
choice of life; or if we resist the dictate, we find at the close that
we have gone astray. My choice of life thus compelled is on the stony
thoroughfares, yours in the green fields.”
As he thus said, his face became clouded and mournful. The Venosta,
quickly tired of a conversation in which she had no part, and having
various little household matters to attend to, had during this dialogue
slipped unobserved from the room; yet neither Isaura nor Graham felt
the sudden consciousness that they were alone which belongs to lovers.
“Why,” asked Isaura, with that magic smile reflected in countless
dimples which, even when her words were those of a man’s reasoning, made
them seem gentle with a woman’s sentiment,--“why must your road through
the world be so exclusively the stony one? It is not from necessity,
it can not be from taste; and whatever definition you give to genius,
surely it is not your own inborn genius that dictates to you a constant
exclusive adherence to the commonplace of life.”
Public-domain text, read in full here on John Shaqi.
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