The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
“Ah, Mademoiselle, do not misrepresent me. I did not say that I could
not sometimes quit the real world for fairyland,--I said that I could
not do so often. My vocation is not that of a poet or artist.”
“It is that of an orator, I know,” said Isaura, kindling; “so they tell
me, and I believe them. But is not the orator somewhat akin to the poet?
Is not oratory an art?”
“Let us dismiss the word orator; as applied to English public life, it
is a very deceptive expression. The Englishman who wishes to influence
his countrymen by force of words spoken must mix with them in their
beaten thoroughfares; must make himself master of their practical views
and interests; must be conversant with their prosaic occupations and
business; must understand how to adjust their loftiest aspirations
to their material welfare; must avoid as the fault most dangerous to
himself and to others that kind of eloquence which is called oratory in
France, and which has helped to make the French the worst politicians
in Europe. Alas! Mademoiselle, I fear that an English statesman would
appear to you a very dull orator.”
“I see that I spoke foolishly,--yes, you show me that the world of the
statesman lies apart from that of the artist. Yet--”
“Yet what?”
“May not the ambition of both be the same?”
“How so?”
“To refine the rude, to exalt the mean; to identify their own fame with
some new beauty, some new glory, added to the treasure-house of all.”
Graham bowed his head reverently, and then raised it with the flush of
enthusiasm on his cheek and brow.
“Oh, Mademoiselle,” he exclaimed, “what a sure guide and what a noble
inspirer to a true Englishman’s ambition nature has fitted you to be,
were it not--” He paused abruptly.
This outburst took Isaura utterly by surprise. She had been accustomed
to the language of compliment till it had begun to pall, but a
compliment of this kind was the first that had ever reached her ear. She
had no words in answer to it; involuntarily she placed her hand on her
heart as if to still its beatings. But the unfinished exclamation, “Were
it not,” troubled her more than the preceding words had flattered, and
mechanically she murmured, “Were it not--what?”
“Oh,” answered Graham, affecting a tone of gayety, “I felt too ashamed
of my selfishness as man to finish my sentence.”
“Do so, or I shall fancy you refrained lest you might wound me as
woman.”
Public-domain text, read in full here on John Shaqi.
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