“Not so; on the contrary, had I gone on it would have been to say that a woman of your genius, and more especially of such mastery in the most popular and fascinating of all arts, could not be contented if she inspired nobler thoughts in a single breast,--she must belong to the public, or rather the public must belong to her; it is but a corner of her heart that an individual can occupy, and even that individual must merge his existence in hers, must be contented to reflect a ray of the light she sheds on admiring thousands. Who could dare to say to you, ‘Renounce your career; confine your genius, your art, to the petty circle of home’? To an actress, a singer, with whose fame the world rings, home would be a prison. Pardon me, pardon--” Isaura had turned away her face to hide tears that would force their way; but she held out her hand to him with a childlike frankness, and said softly, “I am not offended.” Graham did not trust himself to continue the same strain of conversation. Breaking into a new subject, he said, after a constrained pause, “Will you think it very impertinent in so new an acquaintance, if I ask how it is that you, an Italian, know our language as a native; and is it by Italian teachers that you have been trained to think and to feel?” “Mr. Selby, my second father, was an Englishman, and did not speak any other language with comfort to himself. He was very fond of me; and had he been really my father I could not have loved him more. We were constant companions till--till I lost him.” “And no mother left to console you!” Isaura shook her head mournfully, and the Venosta here re-entered. Graham felt conscious that he had already stayed too long, and took leave. They knew that they were to meet that evening at the Savarins’. To Graham that thought was not one of unmixed pleasure; the more he knew of Isaura, the more he felt self-reproach that he had allowed himself to know her at all. But after he had left, Isaura sang low to herself the song which had so affected her listener; then she fell into abstracted revery, but she felt a strange and new sort of happiness. In dressing for M. Savarin’s dinner, and twining the classic ivy wreath in her dark locks, her Italian servant exclaimed, “How beautiful the Signorina looks to-night!” CHAPTER III. M. Savarin was one of the most brilliant of that galaxy of literary men which shed lustre on the reign of Louis Philippe. His was an intellect peculiarly French in its lightness and grace. Neither England nor Germany nor America has produced any resemblance to it. Ireland has, in Thomas Moore; but then in Irish genius there is so much that is French. M. Savarin was free from the ostentatious extravagance which had come into vogue with the Empire. His house and establishment were modestly maintained within the limit of an income chiefly, perhaps entirely, derived from literary profits.