It is characteristic perhaps of the different genius of the sexes, that woman takes to written composition more impulsively, more intuitively, than man,--letter-writing, to him a task-work, is to her a recreation. Between the age of sixteen and the date of marriage, six well-educated clever girls out of ten keep a journal; not one well-educated man in ten thousand does. So, without serious and settled intention of becoming an author, how naturally a girl of ardent feeling and vivid fancy seeks in poetry or romance a confessional,--an outpouring of thought and sentiment, which are mysteries to herself till she has given them words, and which, frankly revealed on the page, she would not, perhaps could not, utter orally to a living ear. During the last few days, the desire to create in the realm of fable beings constructed by her own breath, spiritualized by her own soul, had grown irresistibly upon this fair child of song. In fact, when Graham’s words had decided the renunciation of her destined career, her instinctive yearnings for the utterance of those sentiments or thoughts which can only find expression in some form of art, denied the one vent, irresistibly impelled her to the other. And in this impulse she was confirmed by the thought that here at least there was nothing which her English friend could disapprove,--none of the perils that beset the actress. Here it seemed as if, could she but succeed, her fame would be grateful to the pride of all who loved her. Here was a career ennobled by many a woman, and side by side in rivalry with renowned men. To her it seemed that, could she in this achieve an honoured name, that name took its place at once amid the higher ranks of the social world, and in itself brought a priceless dowry and a starry crown. It was, however, not till after the visit to Enghien that this ambition took practical life and form. One evening after her return to Paris, by an effort so involuntary that it seemed to her no effort, she had commenced a tale,--without plan, without method, without knowing in one page what would fill the next. Her slight fingers hurried on as if, like the pretended spirit manifestations, impelled by an invisible agency without the pale of the world. She was intoxicated by the mere joy of inventing ideal images. In her own special art an elaborate artist, here she had no thought of art; if art was in her work, it sprang unconsciously from the harmony between herself and her subject,--as it is, perhaps, with the early soarings of the genuine lyric poets, in contrast to the dramatic. For the true lyric poet is intensely personal, intensely subjective. It is himself that he expresses, that he represents; and he almost ceases to be lyrical when he seeks to go out of his own existence into that of others with whom he has no sympathy, no rapport. This tale was vivid with genius as yet untutored,--genius in its morning freshness, full of beauties, full of faults. Isaura distinguished not