the faults from the beauties. She felt only a vague persuasion that there was a something higher and brighter--a something more true to her own idiosyncrasy--than could be achieved by the art that “sings other people’s words to other people’s music.” From the work thus commenced she had now paused; and it seemed to her fancies that between her inner self and the scene without, whether in the skies and air and sunset, or in the abodes of men stretching far and near till lost amid the roofs and domes of the great city, she had fixed and riveted the link of a sympathy hitherto fluctuating, unsubstantial, evanescent, undefined. Absorbed in her revery, she did not notice the deepening of the short twilight, till the servant entering drew the curtains between her and the world without, and placed the lamp on the table beside her. Then she turned away with a restless sigh; her eyes fell on the manuscript, but the charm of it was gone. A sentiment of distrust in its worth had crept into her thoughts, unconsciously to herself, and the page open before her at an uncompleted sentence seemed unwelcome and wearisome as a copy-book is to a child condemned to relinquish a fairy tale half told, and apply himself to a task half done. She fell again into a revery, when, starting as from a dream, she heard herself addressed by name, and turning round saw Savarin and Gustave Rameau in the room. “We are come, Signorina,” said Savarin, “to announce to you a piece of news, and to hazard a petition. The news is this: my young friend here has found a Maecenas who has the good taste so to admire his lucubrations under the nom de plume of Alphonse de Valcour as to volunteer the expenses for starting a new journal, of which Gustave Rameau is to be editor-in-chief; and I have promised to assist him as contributor for the first two months. I have given him notes of introduction to certain other feuilletonistes and critics whom he has on his list. But all put together would not serve to float the journal like a short roman from Madame de Grantmesnil. Knowing your intimacy with that eminent artist, I venture to back Rameau’s supplication that you would exert your influence on his, behalf. As to the honoraires, she has but to name them.” “Carte blanche,” cried Rameau, eagerly. “You know Eulalie too well, Monsieur Savarin,” answered Isaura, with a smile half reproachful, “to suppose that she is a mercenary in letters, and sells her services to the best bidder.”