The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
It is easy to conceive that Alain did not stay long. But he stayed long
enough to convince him that on L200 a year the polite society of Paris,
even as seen at M. Gandrin’s, was not for him. Nevertheless, a day or
two after, he resolved to call upon the nearest of his kinsmen to whom
his aunt had given him letters. With the Count de Vandemar, one of his
fellow-nobles of the sacred Faubourg, he should be no less Rochebriant,
whether in a garret or a palace. The Vandemars, in fact, though for many
generations before the First Revolution a puissant and brilliant family,
had always recognized the Rochebriants as the head of their house,--the
trunk from which they had been slipped in the fifteenth century, when a
younger son of the Rochebriants married a wealthy heiress and took the
title with the lands of Vandemar.
Since then the two families had often intermarried. The present count
had a reputation for ability, was himself a large proprietor, and might
furnish advice to guide Alain in his negotiations with M. Gandrin. The
Hotel do Vandemar stood facing the old Hotel de Rochebriant; it was less
spacious, but not less venerable, gloomy, and prison-like.
As he turned his eyes from the armorial scutcheon which still rested,
though chipped and mouldering, over the portals of his lost ancestral
house, and was about to cross the street, two young men, who seemed two
or three years older than himself, emerged on horseback from the Hotel
de Vandemar.
Handsome young men, with the lofty look of the old race, dressed with
the punctilious care of person which is not foppery in men of birth,
but seems part of the self-respect that appertains to the old chivalric
point of honour. The horse of one of these cavaliers made a caracole
which brought it nearly upon Alain as he was about to cross. The rider,
checking his steed, lifted his hat to Alain and uttered a word of
apology in the courtesy of ancient high-breeding, but still with
condescension as to an inferior. This little incident, and the slighting
kind of notice received from coevals of his own birth, and doubtless his
own blood,--for he divined truly that they were the sons of the Count
de Vandemar,--disconcerted Alain to a degree which perhaps a Frenchman
alone can comprehend. He had even half a mind to give up his visit
and turn back. However, his native manhood prevailed over that morbid
sensitiveness which, born out of the union of pride and poverty, has all
the effects of vanity, and yet is not vanity itself.
The Count was at home, a thin spare man with a narrow but high forehead,
and an expression of countenance keen, severe, and ‘un peu moqueuse.’
He received the Marquis, however, at first with great cordiality,
kissed him on both sides of his cheek, called him “cousin,” expressed
immeasurable regret that the Countess was gone out on one of the
missions of charity in which the great ladies of the Faubourg
religiously interest themselves, and that his sons had just ridden forth
to the Bois.
Public-domain text, read in full here on John Shaqi.
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