The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Alain listened surprised and struck. He had not given the Englishman
credit for the cast of mind which such reflections evinced.
Here Lemercier rejoined them, and shook hands with Graham Vane, who,
taking him aside, said, “But you promised to go to the Bois, and indulge
my insane curiosity about the lady in the pearl-coloured robe?”
“I have not forgotten; it is not half-past two yet; you said three.
‘Soyez tranquille;’ I drive thither from the Bourse with Rochebriant.”
“Is it necessary to take with you that very good-looking Marquis?”
“I thought you said you were not jealous, because not yet in love.
However, if Rochebriant occasions you the pang which your humble servant
failed to inflict, I will take care that he do not see the lady.”
“No,” said the Englishman; “on consideration, I should be very much
obliged to any one with whom she would fall in love. That would
disenchant me. Take the Marquis by all means.”
Meanwhile Alain, again looking down, saw just under him, close by one of
the pillars, Lucien Duplessis. He was standing apart from the throng,
a small space cleared round himself, and two men who had the air of
gentlemen of the ‘beau monde,’ with whom he was conferring. Duplessis,
thus seen, was not like the Duplessis at the restaurant. It would be
difficult to explain what the change was, but it forcibly struck Alain:
the air was more dignified, the expression keener; there was a look of
conscious power and command about the man even at that distance; the
intense, concentrated intelligence of his eye, his firm lip, his marked
features, his projecting, massive brow, would have impressed a very
ordinary observer. In fact, the man was here in his native element; in
the field in which his intellect gloried, commanded, and had signalized
itself by successive triumphs. Just thus may be the change in the great
orator whom you deemed insignificant in a drawing-room, when you see his
crest rise above a reverential audience; or the great soldier, who was
not distinguishable from the subaltern in a peaceful club, could you see
him issuing the order to his aids-de-camp amidst the smoke and roar of
the battle-field.
“Ah, Marquis!” said Graham Vane, “are you gazing at Duplessis? He is the
modern genius of Paris. He is at once the Cousin, the Guizot, and
the Victor Hugo of speculation. Philosophy, Eloquence, audacious
Romance,--all Literature now is swallowed up in the sublime epic of
‘Agiotage,’ and Duplessis is the poet of the Empire.”
“Well said, M. Grarm Varn,” cried Frederic, forgetting his recent
lesson in English names. “Alain underrates that great man. How could an
Englishman appreciate him so well?”
“‘Ma foi!’” returned Graham, quietly. “I am studying to think at Paris,
in order some day or other to know how to act in London. Time for the
Bois. Lemercier, we meet at seven,--Philippe’s.”
CHAPTER V.
“What do you think of the Bourse?” asked Lemercier, as their carriage
took the way to the Bois.
Public-domain text, read in full here on John Shaqi.
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