The Parisians — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Parisians — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Nevertheless there was about him that air of dignity or distinction
which those who are reared from their cradle in the pride of birth
acquire so unconsciously that it seems hereditary and inborn. It
must also be confessed that the young man himself was endowed with
a considerable share of that nobility which Nature capriciously
distributes among her favourites with little respect for their pedigree
and blazon, the nobility of form and face. He was tall and well shaped,
with graceful length of limb and fall of shoulders; his face was
handsome, of the purest type of French masculine beauty,--the nose
inclined to be aquiline, and delicately thin, with finely-cut open
nostrils; the complexion clear,--the eyes large, of a light hazel, with
dark lashes,--the hair of a chestnut brown, with no tint of auburn,--the
beard and mustache a shade darker, clipped short, not disguising the
outline of lips, which were now compressed, as if smiles had of late
been unfamiliar to them; yet such compression did not seem in harmony
with the physiognomical character of their formation, which was that
assigned by Lavater to temperaments easily moved to gayety and pleasure.
Another man, about his own age, coming quickly out of one of the streets
of the Chausee d’Antin, brushed close by the stately pedestrian
above described, caught sight of his countenance, stopped short, and
exclaimed, “Alain!” The person thus abruptly accosted turned his eye
tranquilly on the eager face, of which all the lower part was enveloped
in black beard; and slightly lifting his hat, with a gesture of the
head that implied, “Sir, you are mistaken; I have not the honour to know
you,” continued his slow indifferent way. The would-be acquaintance
was not so easily rebuffed. “Peste,” he said, between his teeth, “I am
certainly right. He is not much altered: of course I AM; ten years of
Paris would improve an orang-outang.” Quickening his step, and regaining
the side of the man he had called “Alain,” he said, with a well-bred
mixture of boldness and courtesy in his tone and countenance,
“Ten thousand pardons if I am wrong. Put surely I accost Alain de
Kerouec, son of the Marquis de Rochebriant.”
“True, sir; but--”
“But you do not remember me, your old college friend, Frederic
Lemercier?”
“Is it possibly?” cried Alain, cordially, and with an animation which
charged the whole character of his countenance. “My dear Frederic, my
dear friend, this is indeed good fortune! So you, too, are at Paris?”
“Of course; and you? Just come, I perceive,” he added, somewhat
satirically, as, linking his arm in his new-found friend’s, he glanced
at the cut of that friend’s coat-collar.
“I have been here a fortnight,” replied Alain.
“Hem! I suppose you lodge in the old Hotel de Rochebriant. I passed
it yesterday, admiring its vast facade, little thinking you were its
inmate.”
“Neither am I; the hotel does not belong to me; it was sold some years
ago by my father.”
Public-domain text, read in full here on John Shaqi.
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