The Parisians — Volume 01Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 01
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Eulalie, Eulalie!--What mocking spirit has been permitted in this modern
age of ours to place in the heart of woman the ambition which is the
prerogative of men? You indeed, so richly endowed with a man's genius,
have a right to man's aspirations. But what can justify such ambition in
me? Nothing but this one unintellectual perishable gift of a voice that
does but please in uttering the thoughts of others. Doubtless I could
make a name familiar for its brief time to the talk of Europe,--a name,
what name? a singer's name. Once I thought that name a glory. Shall I
ever forget the day when you first shone upon me; when, emerging from
childhood as from a dim and solitary bypath, I stood forlorn on the great
thoroughfare of life, and all the prospects before me stretched sad in
mists and in rain? You beamed on me then as the sun coming out from the
cloud and changing the face of earth; you opened to my sight the fairy-
land of poetry and art; you took me by the hand and said, "Courage!
there is at each step some green gap in the hedgerows, some, soft escape
from the stony thoroughfare. Beside the real life expands the ideal life
to those who seek it. Droop not, seek it: the ideal life has its
sorrows, but it never admits despair; as on the ear of him who follows
the winding course of a stream, the stream ever varies the note of its
music,--now loud with the rush of the falls; now low and calm as it
glides by the level marge of smooth banks; now sighing through the stir
of the reeds; now babbling with a fretful joy as some sudden curve on the
shore stays its flight among gleaming pebbles,--so to the soul of the
artist is the voice of the art ever fleeting beside and before him.
Nature gave thee the bird's gift of song: raise the gift into art, and
make the art thy companion.
Public-domain text, read in full here on John Shaqi.
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