The Parisians — Volume 04Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 04
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
Graham then retreated into his bedroom, and in a few minutes reappeared
so changed, that Renard at first glance took him for a stranger. He had
doffed his dress--which habitually, when in Capitals, was characterized
by the quiet, indefinable elegance that to a man of the great world,
high-bred and young, seems "to the manner born"--for one of those coarse
suits which Englishmen are wont to wear in their travels, and by which
they are represented in French or German caricatures,--loose jacket of
tweed with redundant pockets, waistcoat to match, short dust-coloured
trousers. He had combed his hair straight over his forehead, which, as I
have said somewhere before, appeared in itself to alter the character of
his countenance, and, without any resort to paints or cosmetics, had
somehow or other given to the expression of his face an impudent, low-
bred expression, with a glass screwed on to his right eye,--such a look
as a cockney journeyman, wishing to pass for a "swell" about town, may
cast on a servant-maid in the pit of a suburban theatre.
"Will it do, old fellow?" he exclaimed, in a rollicking, swaggering tone
of voice, speaking French with a villanous British accent.
"Perfectly," said Renard, laughing. "I offer my compliments, and if ever
you are ruined, Monsieur, I will promise you a place in our police. Only
one caution,--take care not to overdo your part."
"Right. A quarter to nine; I'm off."
CHAPTER VI.
There is generally a brisk exhilaration of spirits in the return to any
special amusement or light accomplishment associated with the pleasant
memories of earlier youth; and remarkably so, I believe, when the
amusement or accomplishment has been that of the amateur stage-player.
Certainly I have known persons of very grave pursuits, of very dignified
character and position, who seem to regain the vivacity of boyhood when
disguising look and voice for a part in some drawing-room comedy or
charade. I might name statesmen of solemn repute rejoicing to raise and
to join in a laugh at their expense in such travesty of their habitual
selves.
The reader must not therefore be surprised, nor, I trust, deem it
inconsistent with the more serious attributes of Graham's character, if
the Englishman felt the sort of joyful excitement I describe, as, in his
way to the cafe Jean Jacques, he meditated the role he had undertaken;
and the joyousness was heightened beyond the mere holiday sense of
humouristic pleasantry by the sanguine hope that much to effect his
lasting happiness might result from the success of the object for which
his disguise was assumed.
It was just twenty minutes past nine when he arrived at the cafe Jean
Jacques. He dismissed the _fiacre_ and entered.
Public-domain text, read in full here on John Shaqi.
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