"Do, in your reply, my dear Savarin, tell me something about your friends Signora Venosta and the Signorina, whose work, so far as yet published, I have read with admiring astonishment at the power of a female writer so young to rival the veteran practitioners of fiction in the creation of interest in imaginary characters, and in sentiments which, if they appear somewhat over-romantic and exaggerated, still touch very fine chords in human nature not awakened in our trite every-day existence. I presume that the beauty of the _roman_ has been duly appreciated by a public so refined as the Parisian, and that the name of the author is generally known. No doubt she is now much the rage of the literary circles, and her career as a writer may be considered fixed. Pray present my congratulations to the Signorina when you see her." Savarin had been in receipt of this letter some days before he called on Isaura, and carelessly showed it to her. She took it to the window to read, in order to conceal the trembling of her hands. In a few minutes she returned it silently. "Those Englishmen," said Savarin, "have not the heart of compliment. I am by no means flattered by what he says of my trifles, and I dare say you are still less pleased with this chilly praise of your charming tale; but the man means to be civil." "Certainly," said Isaura, smiling faintly. "Only think of Rameau!" resumed Savarin. "On the strength of his salary in the 'Sens Commun,' and on the _chateaux en Espagne_ which he constructs thereon, he has already furnished an apartment in the Chaussee d'Antin, and talks of setting up a coupe in order to maintain the dignity of letters when he goes to dine with the duchesses who are some day or other to invite him. Yet I admire his self-confidence, though I laugh at it. A man gets on by a spring in his own mechanism, and he should always keep it wound up. Rameau will make a figure. I used to pity him; I begin to respect. Nothing succeeds like success. But I see I am spoiling your morning. Au revoir, mon enfant."