The Parisians — Volume 07Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 07
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
"Your questions are very pertinent," answered the Vicomte, courteously,
"and my answer shall be very frank. I am against absolute rule, whether
under a Buonaparte or a Bourbon. I am for a free State, whether under a
constitutional hereditary sovereign like the English or Belgian, or
whether, republican in name, it be less democratic than constitutional
monarchy in practice, like the American. But as a man interested in the
fate of _le Sens Commun_, I hold in profound disdain all crotchets for
revolutionising the elements of Human Nature. Enough of this abstract
talk. To the point. You are of course aware of the violent meetings
held by the Socialists, nominally against the plebiscite, really against
the Emperor himself?"
"Yes, I know at least that the working class are extremely discontented;
the numerous strikes last month were not on a mere question of wages--
they were against the existing forms of society. And the articles by
Pierre Firmin which brought me into collision with the Government, seemed
to differ from what you now say. They approve those strikes; they
appeared to sympathise with the revolutionary meetings at Belleville and
Montmartre."
"Of course--we use coarse tools for destroying; we cast them aside for
finer ones when we want to reconstruct.
"I attended one of those meetings last night. See, I have a pass for all
such assemblies, signed by some dolt who cannot even spell the name he
assumes--'Pom-de-Tair.' A commissary of police sat yawning at the end of
the orchestra, his secretary by his side, while the orators stammer out
fragments of would-be thunderbolts. Commissary of police yawns more
wearily than before, secretary disdains to use his pen, seizes his
penknife and pares his nails. Up rises a wild-haired, weak-limbed
silhouette of a man, and affecting a solemnity of mien which might have
become the virtuous Guizot, moves this resolution: 'The French people
condemns Charles Louis Napoleon the Third to the penalty of perpetual
hard labour.' Then up rises the commissary of police and says quietly,
'I declare this meeting at an end.'
"Sensation among the audience--they gesticulate--they screech--they
bellow--the commissary puts on his greatcoat--the secretary gives a last
touch to his nails and pockets his penknife--the audience disperses--the
silhouette of a man effaces itself--all is over."
"You describe the scene most wittily," said Rameau, laughing, but the
laugh was constrained. A would-be cynic himself, there was a something
grave and earnest in the real cynic that awed him.
"What conclusion do you draw from such a scene, _cher poete_" asked De
Mauleon, fixing his keen quiet eyes on Rameau.
"What conclusion? Well, that--that--"
"Yes, continue."
"That the audience were sadly degenerated from the time when Mirabeau
said to a Master of the Ceremonies, 'We are here by the power of the
French people, and nothing but the point of the bayonet shall expel us.'"
Public-domain text, read in full here on John Shaqi.
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