"I should not have presumed so far," continued Mrs. Morley, unheeding the interruption, "if I had not been altogether in error as to the nature of your sentiments in a certain quarter. In this you must blame my American rearing. With us there are many flirtations between boys and girls which come to nothing; but when in my country a man like you meets with a woman like Mademoiselle Cicogna, there cannot be flirtation. His attentions, his looks, his manner, reveal to the eyes of those who care enough for him to watch, one of two things--either he coldly admires and esteems, or he loves with his whole heart and soul a woman worthy to inspire such a love. Well, I did watch, and I was absurdly mistaken. I imagined that I saw love, and rejoiced for the sake of both of you to think so. I know that in all countries, our own as well as yours, love is so morbidly sensitive and jealous that it is always apt to invent imaginary foes to itself. Esteem and admiration never do that. I thought that some misunderstanding, easily removed by the intervention of a third person, might have impeded the impulse of two hearts towards each other--and so I wrote. I had assumed that you loved--I am humbled to the last degree-- you only admired and esteemed." "Your irony is very keen, Mrs. Morley, and to you it may seem very just." "Don't call me Mrs. Morley in that haughty tone of voice,--can't you talk to me as you would talk to a friend? You only esteemed and admired-- there is an end of it." "No, there is not an end of it," cried Graham, giving way to an impetuosity of passion, which rarely, indeed, before another, escaped his self-control; "the end of it to me is a life out of which is ever stricken such love as I could feel for woman. To me true love can only come once. It came with my first look on that fatal face--it has never left me in thought by day, in dreams by night. The end of it to me is farewell to all such happiness as the one love of a life can promise-- but--" "But what?" asked Mrs. Morley, softly, and very much moved by the passionate earnestness of Graham's voice and words. "But," he continued with a forced smile, "we Englishmen are trained to the resistance of absolute authority; we cannot submit all the elements that make up our being to the sway of a single despot. Love is the painter of existence, it should not be its sculptor." "I do not understand the metaphor." "Love colours our life, it should not chisel its form." "My dear Mr. Vane, that is very cleverly said, but the human heart is too large and too restless to be quietly packed up in an aphorism. Do you mean to tell me that if you found you had destroyed Isaura Cicogna's happiness as well as resigned your own, that thought would not somewhat deform the very shape you would give to your life? Is it colour alone that your life would lose?"