The Parisians — Volume 11Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 11
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
The next day, at the hour appointed, Graham entered Alain's apartment.
"I am glad to tell you," said the Marquis, gaily, "that the box has
arrived, and we will very soon examine its contents. Breakfast claims
precedence." During the meal Alain was in gay spirits, and did not at
first notice the gloomy countenance and abstracted mood of his guest. At
length, surprised at the dull response to his lively sallies on the part
of a man generally so pleasant in the frankness of his speech, and the
cordial ring of his sympathetic laugh, it occurred to him that the change
in Graham must be ascribed to something that had gone wrong in the
meeting with Isaura the evening before; and remembering the curtness with
which Graham had implied disinclination to converse about the fair
Italian, he felt perplexed how to reconcile the impulse of his good
nature with the discretion imposed on his good-breeding. At all events,
a compliment to the lady whom Graham had so admired could do no harm.
"How well Mademoiselle Cicogna looked last night!"
"Did she? It seemed to me that, in health at least, she did not look
very well. Have you heard what day M. Thiers will speak on the war?"
"Thiers? No. Who cares about Thiers? Thank heaven his day is past!
I don't know any unmarried woman in Paris, not even Valerie--I mean
Mademoiselle Duplessis--who has so exquisite a taste in dress as
Mademoiselle Cicogna. Generally speaking, the taste of a female author
is atrocious."
"Really--I did not observe her dress. I am no critic on subjects so
dainty as the dress of ladies, or the tastes of female authors."
"Pardon me," said the beau Marquis, gravely. "As to dress, I think that
so essential a thing in the mind of woman, that no man who cares about
women ought to disdain critical study of it. In woman, refinement of
character is never found in vulgarity of dress. I have only observed
that truth since I came up from Bretagne."
"I presume, my dear Marquis, that you may have read in Bretagne books
which very few not being professed scholars have ever read at Paris;
and possibly you may remember that Horace ascribes the most exquisite
refinement in dress, denoted by the untranslatable words, 'simplex
munditiis,' to a lady who was not less distinguished by the ease and
rapidity with which she could change her affection. Of course that
allusion does not apply to Mademoiselle Cicogna, but there are many other
exquisitely dressed ladies at Paris of whom an ill-fated admirer
'fidem
Mutatosque deos flebit.'
"Now, with your permission, we will adjourn to the box of letters."
The box being produced and unlocked, Alain looked with conscientious care
at its contents before he passed over to Graham's inspection a few
epistles, in which the Englishman immediately detected the same
handwriting as that of the letter from Louise which Richard King had
bequeathed to him.
They were arranged and numbered chronologically.
Public-domain text, read in full here on John Shaqi.
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