The Parisians — Volume 12Lytton, Edward Bulwer Lytton, Baron
General
The Parisians — Volume 12
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Paris (France) -- Social life and customs -- 19th century -- Fiction
"No," answered the Abbe; "the writer signs himself by the name of a more
learned atheist--Diderot le jeune." Here the door opened, and Raoul
entered, accompanying Isaura. A change had come over the face of the
young Vandemar since his brother's death. The lines about the mouth had
deepened, the cheeks had lost their rounded contour and grown somewhat
hollow. But the expression was as serene as ever, perhaps even less
pensively melancholy. His whole aspect was that of a man who has
sorrowed, but been supported in sorrow; perhaps it was more sweet-
certainly it was more lofty.
And, as if there were in the atmosphere of his presence something that
communicated the likeness of his own soul to others, since Isaura had
been brought into his companionship, her own lovely face had caught the
expression that prevailed in his--that, too, had become more sweet--that,
too, had become more lofty.
The friendship that had grown up between these two young mourners was of
a very rare nature. It had in it no sentiment that could ever warm into
the passion of human love. Indeed, had Isaura's heart been free to give
away, love for Raoul de Vandemar would have seemed to her a profanation.
He was never more priestly than when he was most tender. And the
tenderness of Raoul towards her was that of some saint-like nature
towards the acolyte whom it attracted upwards. He had once, just before
Enguerrand's death, spoken to Isaura with a touching candour as to his
own predilection for a monastic life. "The worldly avocations that open
useful and honourable careers for others have no charm for me. I care
not for riches nor power, nor honours nor fame. The austerities of the
conventual life have no terror for me; on the contrary, they have a
charm, for with them are abstraction from earth and meditation on heaven.
In earlier years I might, like other men, have cherished dreams of human
love, and felicity in married life, but for the sort of veneration with
which I regarded one to whom I owe--humanly speaking--whatever of good
there may be in me. Just when first taking my place among the society of
young men who banish from their life all thought of another, I came under
the influence of a woman who taught me to see that holiness was beauty.
She gradually associated me with her acts of benevolence, and from her I
learned to love God too well not to be indulgent to his creatures. I
know not whether the attachment I felt to her could have been inspired in
one who had not from childhood conceived a romance, not perhaps justified
by history, for the ideal images of chivalry. My feeling for her at
first was that of the pure and poetic homage which a young knight was
permitted, _sans reproche_, to render to some fair queen or chatelaine,
whose colours he wore in the lists, whose spotless repute he would have
perilled his life to defend. But soon even that sentiment, pure as it
was, became chastened from all breath of earthly love, in proportion as
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