Americans -- England -- Fiction; World War, 1914-1918 -- England -- Fiction
The girl's eyes had narrowed, and were no longer sparkling, but
steady--almost to the point of dullness; her lower lip was full, and
too scarlet for the upper one, which chided its sister for the wanton
admission of slumbering passion; and her voice was abrupt. He almost
cried out '_Legato, legato_,' to coax back the lilt which had caressed
his ear a moment before.
He was dimly conscious that dinner was announced, and that amidst a
babel of tongues he was being led by, or was leading, Lady Durwent into
the dining-room. He heard the resolutionist and Dunckley both talking
at once, and felt the melancholy languor of Pyford floating like
incense through the air. He had an obscure recollection of sitting
down next to his hostess; that the table, like Arthur's, was a round
one; that Johnston Smyth was seated beside Miss Durwent and was ogling
one of Lady Durwent's maids. Then he remembered that he had heard some
voice in his ear for several minutes past, and, growing curious, took a
surreptitious glance, to find that it belonged to Madame Carlotti.
'Meester Selwyn,' she said indignantly, 'you have not been listening to
me.'
'That is true, signora,' he said; 'but I have been thinking of you.'
'Yes?' she purred, leaning towards him. 'What did you thought?'
He turned squarely to her in an impassioned counterfeit of frankness.
'Are all Italian women beautiful?' he murmured.
'Hush-sh!' Her hand touched his beneath the table, reprovingly and
tenderly.
'Mr. Selwyn,' said Lady Durwent, 'you have not tasted your soup.'
CHAPTER V.
THE OLYMPIANS THUNDER.
I.
Lady Durwent was blessed in the possession of a cook whose artistry was
beyond question, if the same could not be said of the guests to whom
she so frequently ministered. She was a descendant of the French, that
race which makes everything tend towards development of the soul, and
consequently looks upon a meal as something of a sacrament. She
prepared a dinner with a balance of contrast and climax that a composer
might show in writing a tone poem.
On this eventful evening, therefore, the dinner-party, stimulated by
her art and by potent wines (gazing with long-necked dignity at the
autocratic whisky-decanter), rapidly assumed a crescendo and an
accelerando--the two things for which a hostess listens.
H. Stackton Dunckley had held the resolutionist in a duel of
language--a combat with broadswords--and honours were fairly even. The
short-sleeved Johnston Smyth had waged futurist warfare against the
modernist Pyford, while the Honourable Miss Durwent sat helplessly
between them, with as little chance of asserting her rights as the
Dormouse at the Mad Hatter's tea-party. The American had held his own
in badinage with the daughter of Italy on one side and his hostess on
the other, the latter, however, being too skilled in entertaining to do
more than murmur a few encouragements to the spontaneity that so
palpably existed.
Public-domain text, read in full here on John Shaqi.
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