Americans -- England -- Fiction; World War, 1914-1918 -- England -- Fiction
Paris, despite your Bois de Boulogne; New York, for all the beauties of
your Central Park and Riverside Drive--what have you to compare with
London's parks on a sun-strewn morning in November?
Reaching the tan-bark surface of Rotten Row, Selwyn and the English
girl eased the reins and let the horses into a canter. With the motion
of the strong-limbed chestnut the American felt a wave of exultation,
and chuckled from no better cause than sheer enjoyment in the morning's
mood of emancipation. He glanced at Elise Durwent, and saw that her
eyes were sparkling like diamonds, and that the self-conscious bay was
shaking his head and cantering so lightly that he seemed to be borne on
the wings of the wind. Selwyn wished that he were a sculptor that he
might make her image in bronze: he would call it 'Recalcitrant Autumn.'
He even felt that he could burst into poetry. He wished----
But then he was in the glorious twenties; and, after all, what has the
gorged millionaire, rolling along in his beflowered, bewarmed,
becushioned limousine, that can give one-tenth the pleasure of the grip
on the withers of a spirited horse?
Sometimes they walked their beasts, and chatted on such subjects as
young people choose when spirits are high and care is on a vacation.
They were experiencing that keenest of pleasures--joy in the _present_.
They watched London Society equestrianising for the admiration of the
less washed, who were gazing from chairs and benches, trying to tell
from their appearance which was a duke and which merely 'mister'--and
usually guessing quite wrongly. Ladies of title, some of them riding
so badly that their steeds were goaded into foam by the incessant pull
of the curb bit, trotted past young ladies and gentlemen with
note-books, who had been sent by an eager Press to record the
activities of the truly great. Handsome women rode in the Row with
their children mounted on wiry ponies (always a charming sight); and
middle-aged, angular females, wearing the customary riding-hat which
reduces beauty to plainness and plainness to caricature, rode
melancholy quadrupeds, determined to do that which is done by those who
are of consequence in the world.
But pleasures born of the passing hour, unlike those of the past or of
anticipation, end with the striking of the clock. It seemed to Austin
Selwyn that they had been riding only for the space of minutes, when
Elise asked him the time.
'It is twenty minutes to one,' he said. 'I had no idea time had passed
so quickly.'
'Nor I,' she answered. 'Just one more canter, and then we'll go.'
The eager horses chafed at their bits, and pleaded, after the manner of
their kind, to be allowed one mad gallop with heaving flanks and
snorting triumph at the end; but decorum forbade, and contenting
themselves with the agreeable counterfeit, Selwyn and the girl
reluctantly turned from the Park towards home.
Public-domain text, read in full here on John Shaqi.
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