The Party and Other StoriesChekhov, Anton Pavlovich
General
The Party and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Saying this, I got up and walked from one end of the room to the
other. She too got up and walked away to the fireplace.
"What do you mean to say by that?" she said, raising her large,
clear eyes and looking at me.
I made no answer.
"What you say is not true," she went on, after a moment's thought.
"You only come here on account of Dmitri Petrovitch. Well, I am
very glad. One does not often see such friendships nowadays."
"Aha!" I thought, and, not knowing what to say, I asked: "Would you
care for a turn in the garden?"
I went out upon the verandah. Nervous shudders were running over
my head and I felt chilly with excitement. I was convinced now that
our conversation would be utterly trivial, and that there was nothing
particular we should be able to say to one another, but that, that
night, what I did not dare to dream of was bound to happen--that
it was bound to be that night or never.
"What lovely weather!" I said aloud.
"It makes absolutely no difference to me," she answered.
I went into the drawing-room. Marya Sergeyevna was standing, as
before, near the fireplace, with her hands behind her back, looking
away and thinking of something.
"Why does it make no difference to you?" I asked.
"Because I am bored. You are only bored without your friend, but I
am always bored. However . . . that is of no interest to you."
I sat down to the piano and struck a few chords, waiting to hear
what she would say.
"Please don't stand on ceremony," she said, looking angrily at me,
and she seemed as though on the point of crying with vexation. "If
you are sleepy, go to bed. Because you are Dmitri Petrovitch's
friend, you are not in duty bound to be bored with his wife's
company. I don't want a sacrifice. Please go."
I did not, of course, go to bed. She went out on the verandah while
I remained in the drawing-room and spent five minutes turning over
the music. Then I went out, too. We stood close together in the
shadow of the curtains, and below us were the steps bathed in
moonlight. The black shadows of the trees stretched across the
flower beds and the yellow sand of the paths.
"I shall have to go away tomorrow, too," I said.
"Of course, if my husband's not at home you can't stay here," she
said sarcastically. "I can imagine how miserable you would be if
you were in love with me! Wait a bit: one day I shall throw myself
on your neck. . . . I shall see with what horror you will run away
from me. That would be interesting."
Her words and her pale face were angry, but her eyes were full of
tender passionate love. I already looked upon this lovely creature
as my property, and then for the first time I noticed that she had
golden eyebrows, exquisite eyebrows. I had never seen such eyebrows
before. The thought that I might at once press her to my heart,
caress her, touch her wonderful hair, seemed to me such a miracle
that I laughed and shut my eyes.
"It's bed-time now. . . . A peaceful night," she said.
Public-domain text, read in full here on John Shaqi.
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