St. Simon's clock struck the half-hour of seven, and the birds who live tropick days in the eternal summer of chintz curtains seemed to crow remorsefully at any sluggard who was inclined longer to indulge his laziness. The sun spangled their plumage with innumerable pin-points of light until they began to glow with all the astonishing dyes of printed fabricks. They glowed and ruffled until the sluggard forsook his couch and, creeping over the chilly floor, flung them back into a day-long folded tranquillity. Here, then, is an excellent opportunity to catch a few of our fine characters unaware. Follow the guidance of my Muses and you will see hero and heroine, comedian, villain, and chorus stripped of all outward aids to beauty. You may trust the modesty of Clio and Melpomene who will certainly treat their own sex with discretion and admit you to the keyhole not a moment before it becomes your disposition of mind. Pray do not expect a wanton exhibition because you are holding on to the draperies of two pagan young women. See that fine house in the middle of the Crescent. Mark the flambeaux guttering and sputtering into an odorous death. Note the flattened Ionick columns which lend it such an air of superiority, and the extra story, and the fat bow-windows on either side of the door. Look well at the door with its cornice of airy Cupids for ever playing Hide and Seek behind solemn urns and festoons of carven flowers. That is the Great House where Beau Ripple lives. Do you wonder at the early hour of rising when you know that his decree was responsible for the united achievement? I cannot think you do; especially if you have read his _Epigrams_ published by Mr. Scratch at the Sign of the _Claw_ in Paul's Churchyard--those epigrams with razor-keen edge translated into Latin by Doctor Fumble and into Greek by the Reverend Mr. Tootell. We read how, in ancient days, tyrants beguiled their political victims with Impromptus of their own composition and at Curtain Wells it was esteemed an honour to be reprimanded in such polished prose. Mr. Ripple scorned the easy allurements of metre and, although in himself he summed up the profound artificiality of his age, he was wont to say that Verse as a form of composition possessed all the disadvantages of prose without any of the advantages. Let us take a glimpse at the Great Man in the Great House while the little maid is pondering the gaudy Valentine stuck in a crack of the basement-steps by the sweep's apprentice.