Riperdá, Juan Guillermo, Duke of, 1680-1737 -- Fiction; Wharton, Philip Wharton, Duke of, 1698-1731 -- Fiction
For a little time the Duke appeared thoughtful; and frequently turned
his eyes upon Louis, rather as if he were the object of his thoughts,
than of his sight: but the actress who sat next him, rallying him once
or twice on his portentous abstraction, he suddenly shook off a mood
so little according with the company; and replying with answering
badinage, warned her dramatic majesty to beware of forcing Eneas from
his cloud. The lady dared his threats; and a dialogue of wit, and
playful gallantry, passed between the two, that delighted the sportive
fancy of Louis, and set the grosser spirits of the party in a roar.
In the first pause of this noisy mirth, the black-eyed Italian
challenged the Duke to bear his part with her in a new duetto of
Apostola Zero. It was from the opera of Sappho and Phaon, and
described the lover's last interview in the Lesbian shades. Louis
loved music; and always listened with pleasure to his cousins chanting
their border-legends, or giving utterance to the sweeter ballads of
Scotland: but he had never heard Italian singing until now; and he was
in so wrapt an ecstacy, that, lost to the objects around him, he sat
during the performance with his hands clasped, and his eyes rivetted
alternately on the Duke and on the Signora, as they severally took
up the thrilling melody; but when their voices mingled at the close
with all the harmonious interchange of height, and depth, faultless
execution, and exquisite pathos, the heart of Louis seemed dissolving
within him; and as the last notes trembled, and died on his ear, he
leaned back in his chair and covered his face with his hand.
The momentary pause that followed, and which his throbbing heart would
fain have prolonged, was rudely broken by an universal clapping of
hands, and cries of bravo! By a side glance, Wharton had observed
Louis's attention to the singing; and now seeing the disgust with
which he pushed his chair back from the discordant uproar, he bent
behind the Frenchwoman, and tapping his young friend on the shoulder,
whispered--
"This universal shout, and shrill applause,
Seem to the outraged ear of listening Silence,
Strange as the hiss of hell, whose sound perverse
Went forth to hail its sovereign's victory!"
As the Duke spoke, the cadence with which he repeated the lines
recalled the strains which yet vibrated on the entranced sense of his
auditor; and Louis, turning his eyes on him who had charmed him out of
himself, expressed, in broken but energetic language, the delight he
had felt, the wonder that such powers could belong to the human voice:
"I have heard fine singing, before;" said he, "but this is more than
singing!--It is the voice of the soul--or, shall I say, it is the very
ineffable language which love breathed into the heart of Psyché?"
"Say what you please, my own De Montemar!" cried the Duke, his face
radiant with animation; "you have the soul I want!--meet me to-night in
the old library."
Public-domain text, read in full here on John Shaqi.
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