She looked up quickly to see what it was, and for a moment her polite intelligent eyes returned his stare. He decided that she had missed being pretty, and with a faint regret wondered what God was about. "Fattened up--yes, possibly," he thought. "Fattened up--yes, perhaps." And he went on staring because she happened to be exactly opposite, and there was nothing else except tunnels to look at. The other excursionists were all in pairs; they thought Ingeborg was, too, and put her down at first as the German gentleman's wife because he did not speak to her. There were two couples of young women, one of ladies of a riper age, and one of earnest young men who were mentioning Balzac to each other almost before they had got to New Cross. Indeed, a surprising atmosphere of culture pervaded the compartment. Ingeborg was astonished. Except the riper ladies, who persisted in talking about Shoolbred, they were all presently saying educated things. Balzac, Blake, Bernard Shaw, and Mrs. Florence Barclay were bandied backwards and forwards across the carriage as lightly and familiarly as though they had been balls. In the far corner Browning was being compared with Tennyson; in the middle, Dickens with Thackeray. The two elder ladies, who kept to Shoolbred, formed a sort of dam between these educated overflowings and the silent back-water in which Ingeborg and the German gentleman sat becalmed. Presently, owing to a politeness that could not allow even an outlying portion of any one else's clothing or belongings to be brushed against without "Excuse me" having been said and "Don't mention it" having been answered, acquaintanceships were made; chocolates were offered; they introduced each other to each other; for a brief space the young men's caps were hardly on their heads, and the air was murmurous with gratified noises. But the two riper ladies, passionately preoccupied by Shoolbred, continued to dam up Ingeborg and her opposite neighbour into a stagnant and unfruitful isolation.