She remained away some time and I talked with her son, who was sociable
but desultory and kept moving over the place, always with his fan, as if
he were properly impatient. Sometimes he seated himself an instant on
the window-sill, and then I made him out in fact thoroughly
good-looking—a fine brown clean young athlete. He failed to tell me on
what special contingency his decision depended; he only alluded
familiarly to an expected telegram, and I saw he was probably fond at no
time of the trouble of explanations. His mother’s absence was a sign
that when it might be a question of gratifying him she had grown used to
spare no pains, and I fancied her rummaging in some close storeroom,
among old preserve-pots, while the dull maid-servant held the candle
awry. I don’t know whether this same vision was in his own eyes; at all
events it didn’t prevent his saying suddenly, as he looked at his watch,
that I must excuse him—he should have to go back to the club. He would
return in half an hour—or in less. He walked away and I sat there alone,
conscious, on the dark dismantled simplified scene, in the deep silence
that rests on American towns during the hot season—there was now and then
a far cry or a plash in the water, and at intervals the tinkle of the
bells of the horse-cars on the long bridge, slow in the suffocating
night—of the strange influence, half-sweet, half-sad, that abides in
houses uninhabited or about to become so, in places muffled and bereaved,
where the unheeded sofas and patient belittered tables seem (like the
disconcerted dogs, to whom everything is alike sinister) to recognise the
eve of a journey.
Public-domain text, read in full here on John Shaqi.
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