seems to be proven, that these characters stood for musical notes; so that for instance, the arrangement of the letters in the first chapter of Genesis, can be rendered musically, or by song. Another law of the Hebrew characters was that only the consonantal signs were characterized,—the vowels were not characterized, but were supplied. If one will try he will find that a consonant of itself cannot be made vocal without the help of a vowel; therefore it was said that the consonants made the frame work of a word, but to give it life or utterance into the air, so as to impart the thought of the mind, and the feeling of the heart, the vowels had to be supplied. Thus the dead word of consonants became quickened into life by the Holy Spirit, or the vowels. This being said then:— First: The Holy or Sacred Text was given in consonants only, without any voweling, or signs of vowels. Second: The letters were written one after the other at equal distances, without any separation whatever of distinct words, and without any punctuations whatever, such as commas, semi-colons, colons or periods. It will be seen at once that a various reading of the text might be had in many places, both by differing arrangements of letters, and by a differing supplying of vowels. A very important difference of reading may be instanced in the first line of Genesis. It is made to be read “B’rashith bârâ Elohim,” etc., “In the beginning God created the heavens and the earth”; wherein Elohim is a plural nominative to a verb in the third person singular. Nachminedes called attention to the fact that the text might suffer the reading, “Brash ithbârâ Elohim,” etc. “In the head (source or beginning) created itself (or developed) Gods, the heavens and the earth,”—really a more grammatical rendering. What the originally and intended right reading was who can tell? It may be surmised, however, that it was made to subserve a co-ordinating, symmetrical and harmonious working of the characters to unfold and develop their various uses;—as sound signs to frame a narrative,—as numbers to develop geometrical shapes and the numerical enunciations of their elements, comparisons and applications,—as pictures to show forth ideas in some accordance with the story told, and finally,—as musical sounds to give an appropriate song to embrace the whole. The whole compass was to embrace rational proof, through operations in nature, of the existence of that Divine Contriving Willing Cause which we call God. But be this as it may there was no end of effort for thousands of years, by the best trained and most learned men of the Hebrews and Jews, to give and preserve what had to be decided upon by them as the right reading of the Sacred Text. This reading was certainly perfected as we have it, as early as the time of Ezra; and as to the various readings which offered, the present was perfected as the orthodox one,—or that one to be received by the profound vulgar.