The Paths of Inland Commerce; A Chronicle of Trail, Road, and Waterway — John Shaqi
The Paths of Inland Commerce; A Chronicle of Trail, Road, and WaterwayHulbert, Archer Butler
History
The Paths of Inland Commerce; A Chronicle of Trail, Road, and Waterway
Hulbert, Archer Butler
Transportation -- United States -- History
The stone roads, which were passable at all seasons, brought a new era
in correspondence and business. Lines of stages and wagons, as well
known at that time as are the great railways of today, plied the new
thoroughfares, provided some of the comforts of travel, and assured the
safer and more rapid delivery of goods. This period is sometimes known
in American history as "The Era of Good Feeling" and the turnpike
contributed in no small degree to make the phrase applicable not only to
the domain of politics but to all the relations of social and commercial
life.
While road building in the East gives a clear picture of the rise and
growth of commerce and trade in that section, it is to the rivers of the
trans-Alleghany country that we must look for a corresponding picture in
this early period. The canoe and pirogue could handle the packs and kegs
brought westward by the files of Indian ponies; but the heavy loads of
the Conestoga wagons demanded stancher craft. The flatboat and barge
therefore served the West and its commerce as the Conestoga and turnpike
served the East.
CHAPTER V
The Flatboat Age
In the early twenties of the last century one of the popular songs of
the day was The Hunters of Kentucky. Written by Samuel Woodworth, the
author of The Old Oaken Bucket, it had originally been printed in the
New York Mirror but had come into the hands of an actor named Ludlow,
who was playing in the old French theater in New Orleans. The poem
chants the praises of the Kentucky riflemen who fought with Jackson at
New Orleans and indubitably proved
That every man was half a horse
And half an alligator.
Ludlow knew his audience and he saw his chance. Setting the words to
Risk's tune, Love Laughs at Locksmiths, donning the costume of a Western
riverman, and arming himself with a long "squirrel" rifle, he presented
himself before the house. The rivermen who filled the pit received him,
it is related, with "a prolonged whoop, or howl, such as Indians give
when they are especially pleased." And to these sturdy men the words of
his song made a strong appeal:
We are a hardy, freeborn race,
Each man to fear a stranger;
Whate'er the game, we join in chase,
Despising toil and danger;
And if a daring foe annoys,
No matter what his force is,
We'll show him that Kentucky boys
Are Alligator-horses.
Public-domain text, read in full here on John Shaqi.
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