The Pavement Masters of Siena (1369-1562)Cust, Robert H. Hobart (Robert Henry Hobart)
History
The Pavement Masters of Siena (1369-1562)
Cust, Robert H. Hobart (Robert Henry Hobart)
Art -- Italy -- Siena; Duomo di Siena; Pavements, Mosaic
Of this Sibyl we know nothing, and can only point out, as in the
case of the Delphic and Erythraean Sibyls, that the latter of those
prophetesses, though born in the Troad, made her principal abode at
Samos: and that thus these three may have been one and the same person.
We are told, by the label beneath her representation, that she is
spoken of by Eratosthenes, a writer quoted by Lactantius, and whose
work was one of the first books printed in Italy in 1465.
[Illustration:
ALINARI PHOTO.] [DESIGNED BY MATTEO DI GIOVANNI BARTOLI
VII. THE SAMIAN SIBYL (No. 29)]
This figure is one of the most beautiful of all the ten Sibyls,
and well it may be, seeing that it was designed by that delightful
draughtsman and earnest artist, Matteo di Giovanni Bartoli. A slender
princess, with flowing draperies, she supports with her left hand a
handsomely-bound open volume. A curious and characteristic feature of
Matteo’s work is evident in the charming cherub-head, with outspread
wings, that clasps a girdle round her robe below the hips. Beside her
on a tablet, upborne by two lion-headed figures, is the following
inscription:
TV ENIM STVLTA IVDAEA
DEVM TVVM NON CO
GNOVISTI LVCENTEM
MORTALIVM MENTI-
BVS SED ET SPINIS CO
RONASTI HORRIDVM
QVE FEL MISCVISTI
(For thou, foolish Judaea! hast not known thy God, shining in the
minds of men. But thou hast both crowned Him with thorns, and hast
mixed for Him nauseous gall.)
At the foot of the tablet is the designer’s signature, with the date
1483. (Ill. VII.)
Matteo di Giovanni received for this design 4 lire only,[54] on May
23rd, 1483; but it cost 2,654 lire 52 c. to restore.
_The Phrygian Sibyl._
Of this Sibyl also nothing is known, though she too has been confounded
with the Delphic Sibyl. Most of the longer lists, however, include
both. From the label designating her we learn that she prophesied at
Ancyra. She is here brought before us attired in what we may suppose
the artist intended to represent Phrygian or semi-Oriental dress. She
holds aloft in her left hand a small book open at the words:
SOLVS
DEUS DEVS
SVM ET ALIVS
NON EST
(I am the only God, and there is no other God.)
Her right hand directs attention to a tablet, on a lyre-shaped
support, between which are seen half-length figures and heads of nude
suppliants, apparently rising from the grave.
The inscription on the tablet runs as follows:
TVBA DE CAELO VOCEM LV
CTVOSAM EM ITET TARTARE
VM CHAOS OSTENDET DEHIS
CENS TERRA VENIET AD TRIBV
NAL DEI REGES OMNES DEVS
IPSE IVDICANS PIOS SIMVL
ET IMPIOS TVNC DEMVM IM
PIOS IN IGNEM ET TENEBRAS
MITTET QVI AVTEM PIETA
TEM TENET ITERV VIVENT
Public-domain text, read in full here on John Shaqi.
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