-------------------------------------+------------------------------+-----------+-----------------+--------------------------- | | Date the | Numbers | The various designs on the | Notes. | work was | corresponding | Names of the Artists. pavement arranged in their | | executed. | to those on the | chronological order. | | | plan (p. 15). | -------------------------------------+------------------------------+-----------+-----------------+--------------------------- | Of these eight artists’ | 1369 | | (1). Antonio di Brunaccio. | work on the Pavement, | 1370 | | (2). Sano di Marco. | no recognizable trace | ” | | (3). Francesco di Ser | now remains. | | | Antonio. | | 1376 | | (4). Matteo di Bartolo. | | 1380 | | (5). Nanni di Corsino. | | 1398 | | (6). Sano di Maestro | | | | Matteo. | | ” | | (7). Luca di Cecco. | | 1405 | | (8). Cecco di Giovanni. | | | | Fortune’s Wheel revolving with | | | | figures of men clinging to it. In | | | | the four corners of the picture are | | | | half-length portraits of Euripides, | | | | Seneca, Epictetus, and Aristotle. | | | | (Milanesi. _Documenti._ Vol. i., | | | | p. 177.) | | 1372 | 37 | | | | | The Arms of the Cities allied and | | | | friendly to Siena.