England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
The nervous shock had made her powerless; they carried her in a
chair back to 'Runnymede,' and upstairs to her bedroom. Scarcely was
this done when Mr. and Mrs. Mumford, after a leisurely walk from the
station, approached their garden gate. The sight of a little crowd
of people in the quiet road, the smell of burning, loud voices of
excited servants, caused them to run forward in alarm. Emmeline,
frenzied by the certainty that her own house was on fire, began to
cry aloud for her child, and Mumford rushed like a madman through
the garden.
'It's all right,' said a man who stood in the doorway. 'You Mr.
Mumford? It's all right. There's been a fire, but we've got it out.'
Emmeline learnt at the same moment that her child had suffered no
harm, but she would not pause until she saw the little one and held
him in her embrace. Meanwhile, Cobb and Mumford talked in the
devastated drawing-room, which was illumined with candles.
'It's a bad job, Mr. Mumford. My name is Cobb: I daresay you've
heard of me. I came to see Miss Derrick, and I was clumsy enough to
knock the lamp over.'
'Knock the lamp over! How could you do that? Were you drunk?'
'No, but you may well ask the question. I stumbled over something--a
little chair, I think--and fell against the table with the lamp on
it.'
'Where's Miss Derrick?'
'Upstairs. She got rather badly burnt, I'm afraid. We've sent for a
doctor.'
'And here I am,' spoke a voice behind them. 'Sorry to see this, Mr.
Mumford.'
The two went upstairs together, and on the first landing encountered
Emmeline, sobbing and wailing hysterically with the child in her
arms. Her husband spoke soothingly.
'Don't, don't, Emmy. Here's Dr. Billings come to see Miss Derrick.
She's the only one that has been hurt. Go down, there's a good girl,
and send somebody to help in Miss Derrick's room; you can't be any
use yourself just now.'
'But how did it happen? Oh, _how_ did it happen?'
'I'll come and tell you all about it. Better put the boy to bed
again, hadn't you?'
When she had recovered her senses Emmeline took this advice, and,
leaving the nurse by the child's cot, went down to survey the ruin
of her property. It was a sorry sight. Where she had left a
reception-room such as any suburban lady in moderate circumstances
might be proud of; she now beheld a mere mass of unrecognisable
furniture, heaped on what had once been a carpet, amid dripping
walls and under a grimed ceiling.
'Oh! Oh!' She all but sank before the horror of the spectacle. Then,
in a voice of fierce conviction, 'She did it! _She_ did it! It was
because I told her to leave. I _know_ she did it on purpose!'
Public-domain text, read in full here on John Shaqi.
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