England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
Cobb had written from Bristol, a week after the accident, formally
requesting a statement of the pecuniary loss which the Mumfords had
suffered; he was resolved to repay them, and would do so, if
possible, as soon as he knew the sum. Mumford felt a trifle ashamed
to make the necessary declaration; at the outside, even with
expenses of painting and papering, their actual damage could not be
estimated at more than fifty pounds, and even Emmeline did not wish
to save appearances by making an excessive demand. The one costly
object in the room--the piano--was practically uninjured, and sundry
other pieces of furniture could easily be restored; for Cobb and his
companion, as amateur firemen, had by no means gone recklessly to
work. By candle-light, when the floor was still a swamp, things
looked more desperate than they proved to be on subsequent
investigation; and it is wonderful at how little outlay, in our
glistening times, a villa drawing-room may be fashionably equipped.
So Mumford wrote to his correspondent that only a few 'articles' had
absolutely perished; that it was not his wish to make any demand at
all; but that, if Mr. Cobb insisted on offering restitution, why, a
matter of fifty pounds, etc. etc. And in a few days this sum
arrived, in the form of a draft upon respectable bankers.
Of course the house was in grievous disorder. Upholsterers' workmen
would have been bad enough, but much worse was the establishment of
Mrs. Higgins by her daughter's bedside, which naturally involved her
presence as a guest at table, and the endurance of her conversation
whenever she chose to come downstairs. Mumford urged his wife to
take her summer holiday--to go away with the child until all was put
right again--a phrase which included the removal of Miss Derrick
to her own home; but of this Emmeline would not hear. How could she
enjoy an hour of mental quietude when, for all she knew, Mrs.
Higgins and the patient might be throwing lamps at each other? And
her jealousy was still active, though she did not allow it to betray
itself in words. Clarence seemed to her quite needlessly anxious in
his inquiries concerning Miss Derrick's condition. Until that young
lady had disappeared from 'Runnymede' for ever, Emmeline would keep
matronly watch and ward.
Mrs. Higgins declared at least a score of times every day that she
could _not_ understand how this dreadful affair had come to pass.
The most complete explanation from her daughter availed nothing; she
deemed the event an insoluble mystery, and, in familiar talk with
Mrs. Mumford, breathed singular charges against Louise's lover.
'She's shielding him, my dear. I've no doubt of it. I never had a
very good opinion of him, but now she shall never marry him with
_my_ consent.' To this kind of remark Emmeline at length deigned no
reply. She grew to detest Mrs. Higgins, and escaped her society by
every possible manoeuvre.
Public-domain text, read in full here on John Shaqi.
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