The Pearl, its story, its charm, and its value — John Shaqi
The Pearl, its story, its charm, and its valueCattelle, Wallis Richard
History
The Pearl, its story, its charm, and its value
Cattelle, Wallis Richard
Pearls
In this country abundant evidence exists that before the advent of the
white man, or of the red-skins as we know them, the aborigines, from
the cold rise of the Mississippi to the glades of Florida, used them
for their adornment. In savage wilds, and on coasts that knew not the
sight of ships or other shores, copper-skinned natives treasured the
glistening things they found in the mollusks of the sea-shoals and
inland streams. Quantities of pearls have been found in the Indian
mounds, many of them loose, others strung for necklaces and wristlets,
some mounted in quaint and primitive fashion, all showing that in
the days of unbroken forests and swarming game and roving tribes of
untrammeled savages, in the tepees of the braves, their queens wore
pearls even as they are worn now by fairer successors in the palaces
reared where once were forests and camping-grounds. In those days
the savage lords of the undivided earth knew nothing of whirring
lathes and drills; of hardened points of steel turning with lightning
rapidity and unerring precision. Slowly they burned a way through the
gem with hot copper wire, destroying thereby with ruthless ignorance
the delicate beauty of jewels fit for royalty. To them the slender
prongs of gold with which the modern jeweller holds the lustrous
balls, uncovered and in safety, were unknown. Instead, the savage set
them in holes bored in the teeth of animals, possibly to enhance the
relics of a great fight with some fierce beast that succumbed finally
to his prowess: possibly to add beauty to the grim reminders of her
lord's valor when he hung them round the neck of a favored mate. The
Indian of this continent was much more primitive in the art of the
jeweller than in the manufacture of implements for war and the chase.
Gaudy colors extracted from plants and minerals appealed more to his
unthinking eye than a chaste form of beauty. With these he could stain
his blankets, record on skins of slaughtered animals his deeds, or
paint in hideous signs upon his face the malignancy of war. His time
and thought and ingenuity were given to things which would contribute
to his master passion and glorify its deeds. The scalps of his enemies,
the skins of animals he slaughtered, the feathers of birds that fell
to his unerring arrow, the teeth of bears and mountain lions slain
in desperate encounters, these were his jewels. Nor was his sexual
instinct sufficiently refined to enthrone his mate. She was his slave,
and her reward for toil was pride in his deeds and glory. He knew
little of the tender homage which brings gifts and lays them at the
feet of woman. Instinctively he made a setting for his pearls of bears'
teeth, that they might carry the scent of blood and tell the story of
his conquest. Nevertheless, among these rude tribes of wolfish savages,
sequestered from the touch of other people more refined, the modest
pearl found favor, and in it they unconsciously paid tribute to one of
the purest forms of beauty.
Public-domain text, read in full here on John Shaqi.
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