The Pearl of Orr's Island: A Story of the Coast of Maine — John Shaqi
The Pearl of Orr's Island: A Story of the Coast of MaineStowe, Harriet Beecher
General
The Pearl of Orr's Island: A Story of the Coast of Maine
Stowe, Harriet Beecher
Bildungsromans; Girls -- Fiction; Islands -- Fiction; Maine -- Fiction
"Cap'n Kittridge, if I was to hear to you, there'd never be no rule in
this house. Sally, you go 'long this minute, and be sure you put your
knittin' away in its place."
The Captain gave a humorous nod of submissive good-nature to his
daughter as she went out. In fact, putting Sally to bed was taking away
his plaything, and leaving him nothing to do but study faces in the
coals, or watch the fleeting sparks which chased each other in flocks
up the sooty back of the chimney.
It was Saturday night, and the morrow was Sunday,--never a very pleasant
prospect to the poor Captain, who, having, unfortunately, no spiritual
tastes, found it very difficult to get through the day in compliance
with his wife's views of propriety, for he, alas! soared no higher in
his aims.
"I b'lieve, on the hull, Polly, I'll go to bed, too," said he, suddenly
starting up.
"Well, father, your clean shirt is in the right-hand corner of the upper
drawer, and your Sunday clothes on the back of the chair by the bed."
The fact was that the Captain promised himself the pleasure of a long
conversation with Sally, who nestled in the trundle-bed under the
paternal couch, to whom he could relate long, many-colored yarns,
without the danger of interruption from her mother's sharp,
truth-seeking voice.
A moralist might, perhaps, be puzzled exactly what account to make of
the Captain's disposition to romancing and embroidery. In all real,
matter-of-fact transactions, as between man and man, his word was as
good as another's, and he was held to be honest and just in his
dealings. It was only when he mounted the stilts of foreign travel that
his paces became so enormous. Perhaps, after all, a rude poetic and
artistic faculty possessed the man. He might have been a humbler phase
of the "mute, inglorious Milton." Perhaps his narrations required the
privileges and allowances due to the inventive arts generally. Certain
it was that, in common with other artists, he required an atmosphere of
sympathy and confidence in which to develop himself fully; and, when
left alone with children, his mind ran such riot, that the bounds
between the real and unreal became foggier than the banks of
Newfoundland.
The two women sat up, and the night wore on apace, while they kept
together that customary vigil which it was thought necessary to hold
over the lifeless casket from which an immortal jewel had recently been
withdrawn.
"I re'lly did hope," said Mrs. Kittridge, mournfully, "that this 'ere
solemn Providence would have been sent home to the Cap'n's mind; but he
seems jist as light and triflin' as ever."
"There don't nobody see these 'ere things unless they's effectually
called," said Miss Roxy, "and the Cap'n's time ain't come."
"It's gettin' to be t'ward the eleventh hour," said Mrs. Kittridge, "as
I was a-tellin' him this afternoon."
"Well," said Miss Roxy, "you know
"'While the lamp holds out to burn,
The vilest sinner may return.'"
Public-domain text, read in full here on John Shaqi.
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