[67] BOYD, in litt., Nov. 13, 1965. [68] BOYD, loc. cit. Regarding construction, see E. BOYD, "New Mexican Bultos with Hollow Skirts: How They Were Made," _El Palacio_, vol. LVIII, no. 5 (May, 1951), pp. 145-148. [69] WILDER and BREITENBACH, pls. 24, 25. [70] HENDERSON, p. 26. [71] JOSÉ ESPINOSA, op. cit., p. 75. [72] DOMÍNGUEZ, _Missions_, p. 264 (ftn. 59). The brown robe worn by Franciscans today is a late 19th-century innovation. [73] BOYD, _Saints_, p. 133. [74] BOYD, in litt., Nov. 13, 1965. For a comparative illustration of St. Joseph, see WILDER and BREITENBACH, pl. 42. [75] HENDERSON, p. 51, notes this pair of candelabra with the 13 sockets. Fifteen is the ecclesiastically correct number for _tenebrae_ services. [76] _Acts of Incorporation_, microfilm, Corporation Bureau, State Capitol, Santa Fe; see also Land Records, _General Indirect Index_, Rio Arriba County Court House, vols. I (1852-1912) and II (1912-1930). [77] HENDERSON, p. 51, describes the _angelito_, in the dim light of the _morada_ ceremony, as a "dove like a wasp." Another angel figure was given me through Regino Salazar by one of the _penitente_ brothers of Abiquiú. According to E. Boyd, it appears to be the work of José Rafael Aragon, who worked in the Santa Cruz area after 1825. _Summary_ The two Abiquiú _moradas_ are clearly parallel in their architectural design (including the constricted chancels), in their artifacts--especially _bulto_ identities such as Jesus (_Cristo_, _Nazareno_, _Ecce Homo_, _Santo Niño de Atocha_), Mary (_Dolores_, _Immaculata Concepción_, _Soledad_, _Guadalupe_), Saint John of Nepomuk, Saint Peter, and death--and lastly, in the ceremonies held in the buildings, which link rather than separate the _penitente_ movement and the common social values of _Hispano_ culture. Edmonson uses six institutional values to define _Hispano_ culture.[78] All six can be found in the _penitente_ brotherhood. "Paternalism" is found in the relation of the members-at-large to the officers and of all the _penitente_ brothers to _Nuestro Padre Jesus_, "Our Father Jesus." "Familism" is reflected in the structure of the _penitente_ organization and especially in the extension of its social benefits to the entire community. "Dramatism" is an essential ingredient of _penitente_ ceremonies such as the _tinieblas_. "Personalism" is revealed in the immediate and individual participation of all members in _penitente_ activities. "Fatalism" is the focus of Holy Week and of funerals and is personified by the _muerte_ figure in each _morada_.