The penny magazine of the Society for the Diffusion of Useful Knowledge, issue 15, June 30, 1832
Science
The penny magazine of the Society for the Diffusion of Useful Knowledge, issue 15, June 30, 1832
English periodicals
July 6.--The birth-day of JOHN FLAXMAN, the late eminent sculptor, whose
works have done so much to form the English school of design. Flaxman
was born in 1755, in York, from whence he was removed in his infancy to
London, where his father, who was a moulder of figures, subsequently
kept a shop in the Strand for the sale of plaster casts. The father’s
occupation, no doubt, contributed to call forth the genius of the son;
but the boy very early began to give evidence of fondness for those arts
to which his future life was devoted, and of singular taste and skill in
the efforts of his uninstructed pencil. Like many more of the most
distinguished cultivators of literature and art, he was prevented by the
weakness and delicate health of his early years from mixing in the ruder
sports of boys of his own age; and this, of course, gave him more time
for solitary study. His father was not able to afford him the advantages
of a regular education; but he rapidly acquired a great deal of
knowledge by his own unaided efforts. When he was fifteen he was
admitted a student in the Royal Academy. Here he was successful in a
competition for the inferior honour of the silver medal; but on the
contest for the gold one, Sir Joshua Reynolds, the President, awarded
the prize to another. This was, perhaps, upon the whole, not an
unfortunate incident for Flaxman, though he severely felt what he
thought an injustice. His rival, notwithstanding his good fortune on
this occasion, never rose to any distinction; but Flaxman, with the
heroism of true genius, resolved to obliterate this defeat of his youth
by future triumphs, of the glory of which no such decision should be
able to rob him. And this resolution he nobly fulfilled. His first
employment was given him by the Messrs. Wedgewood, the productions of
whose porcelain potteries he embellished with designs that gave at once
a new character to this branch of British manufactures. In 1782 he
married; and five years afterwards proceeded to visit Italy, where he
remained till 1794, studying the celebrated monuments of the fine arts
with which that country abounds, and at the same time exerting his own
pencil in the production of works which soon spread his fame over
Europe. Having then returned to England, he was in 1797 elected an
Associate, and in 1800 a Member, of the Royal Academy. After this he
executed many great works in marble; and, as a lecturer, afforded some
valuable contributions to the literature of his profession. For many
years before his death his name ranked with the highest of the living
artists of England. But we must refer the reader for an account of his
performances to Mr. Allan Cunningham’s interesting life of him, lately
published, or to the abstract of that memoir in the second number of the
Gallery of Portraits. He died at his house in Buckingham-street, on the
7th of December, 1826, in the seventy-second year of his age.
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Public-domain text, read in full here on John Shaqi.
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