These burghers, these Frankfurters, seemed to be going about their
business with a sort of solid yet placid energy, well and deliberately
aimed, that would hit the mark at once without wasting powder. It was
very different and very superior to the ill-arranged and hectic haste
of New York and Chicago; here nobody seemed driven as though by
invisible furies--the German business mind was not out of breath.
Such are my memories of Frankfurt at work. Frankfurt at leisure was to
be seen in its Palm Garden. This was the town's place of general
recreation; large, various, beautifully and intelligently planned;
with space for babies to roll in safety, and there were the babies
rolling, and their nurses; with courts for tennis, and thither I saw
adolescent Frankfurt strolling in flannels and short skirts after
business hours; with benches where sat the more elderly, taking the
air and gazing at the games or the flowers or the pleasant trees; with
paths more sequestered that wound among bowers, convenient for
sweethearts--but I did not see any, because I forbore to look. A
central building held tropic plants and basins, and large rooms for
bad weather, I suppose, with a restaurant; but on this fine day the
music played and we dined outside.
An entrance fee, very small, served to make you respect the Palm
Garden, since humanity seldom respects what it pays nothing for. Most
unexpected show of all in this Palm Garden were the flowers under
glass. I had erroneously supposed that any German scheme of color
would be heavy, and possibly garish. Never had I beheld more exquisite
subtlety on so extended a scale of arrangement. One walked through
aisle after aisle of roses and other blooms in these
greenhouses--everywhere was the same delicate sense and feeling; the
same, in fact, in these flower schemes that one finds in German lyric
verse, and in the songs of Schubert, Schumann and Franz.
It was in the opera house--Frankfurt has a fine and commodious
one--that my whole impression of Germany's glory culminated. The
performances drew their light from no Melbas or Carusos, or other
meteors, but from a fixed constellation, now and then enriched by
some visitor; it was teamwork of drilled and even excellence, singers,
chorus, orchestra and scenery unitedly equal to the occasion, in
operas old and new, an immense sweep of repertory, with an audience to
match--an accustomed audience, to whom music was traditional food,
music having always grown hereabout plenteously, indigenously, so that
they took it as naturally as they took their Rhine wine, paying for it
as moderately, going to hear it in rather plain clothes, as a
rule--men in day dress, women in high-neck; not an audience that had
to put on its diamonds in order to listen conspicuously to a costly
and not comprehended exotic.
Public-domain text, read in full here on John Shaqi.
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