The People for Whom Shakespeare WroteWarner, Charles Dudley
History
The People for Whom Shakespeare Wrote
Warner, Charles Dudley
England -- Social life and customs -- 16th century; Shakespeare, William, 1564-1616 -- Contemporaries
Stubbes was a stout old Puritan, bent upon hewing his way to heaven
through all the allurements of this world, and suspecting a devil in
every fair show. I fear that he looked upon woman as only a vain and
trifling image, a delusive toy, away from whom a man must set his face.
Shakespeare, who was country-bred when he came up to London, and lived
probably on the roystering South Side, near the theatres and
bear-gardens, seems to have been impressed with the painted faces of the
women. It is probable that only town-bred women painted. Stubbes declares
that the women of England color their faces with oils, liquors, unguents,
and waters made to that end, thinking to make themselves fairer than God
made them--a presumptuous audacity to make God untrue in his word; and he
heaps vehement curses upon the immodest practice. To this follows the
trimming and tricking of their heads, the laying out their hair to show,
which is curled, crisped, and laid out on wreaths and borders from ear to
ear. Lest it should fall down it is under-propped with forks, wires, and
what not. On the edges of their bolstered hair (for it standeth crested
round about their frontiers, and hanging over their faces like pendices
with glass windows on every side) is laid great wreaths of gold and
silver curiously wrought. But this is not the worst nor the tenth part,
for no pen is able to describe the wickedness. "The women use great ruffs
and neckerchers of holland, lawn, camerick, and such cloth, as the
greatest thread shall not be so big as the least hair that is: then, lest
they should fall down, they are smeared and starched in the Devil's
liquor, I mean Starch; after that dried with great diligence, streaked,
patted and rubbed very nicely, and so applied to their goodly necks, and,
withall, under-propped with supportasses, the stately arches of pride;
beyond all this they have a further fetch, nothing inferior to the rest;
as, namely, three or four degrees of minor ruffs, placed gradatim, step
by step, one beneath another, and all under the Master devil ruff. The
skirts, then, of these great ruffs are long and side every way, pleted
and crested full curiously, God wot."
Public-domain text, read in full here on John Shaqi.
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