That this boundary is not an isolated phenomenon is well seen
by comparing it with the boundary between the France which
reintroduced the Roman law (_Droit Écrit_) early in the Middle
Ages and the France which preferred to go on judging by customary
law (_Droit Coutumier_). This boundary and that of language
intertwine, but the influence of big cities as legal centres accounts
for some differences. The legal boundary naturally keeps some
{28}
distance north of the linguistic one near the great southern city
of Bordeaux. On the other hand, the influence of valley cities
like Clermont-Ferrand helped the northern law to penetrate up
the slopes of the Central Plateau, so that the legal boundary is
here the more southerly. Lyons, a southern city in so many
ways, pushed the legal boundary far to the north of the linguistic
one in the Rhone-Saone basin. The boundary line of old-time
(pre-1789) Customs Dues, the boundaries of the various Salt
Dues (_Gabelles_), of the Governments in existence in 1789, of
the general prevalence of the Gothic style in architecture, of
the general prevalence of (north) steep-roofed and (south)
flat-roofed houses respectively and so on, are all related to the above
lines, and can be followed in some detail to work out interesting
divergences. The net result of a study of these lines is to show
that the French people, apart from the German borderland,
consist of two cultural elements, a southern with Roman survivals
in cities, language, &c., and a more northern one which is much
less Roman. Between them is an intermediate area with mixed
allegiance. The study of such a set of boundaries can be given
a special value, for it shows us that the linear boundary, however
necessary it may be under our outworn system of aggressive states
in politics, is an artificiality when applied to the study of peoples.
Boundaries are zones, not lines, zones of intermediacy which
with better political organization might become interpreters
rather than causes of conflict as they have been in the past.
Public-domain text, read in full here on John Shaqi.
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