Detective and mystery stories; Rouletabille, Joseph (Fictitious character) -- Fiction
“Here comes Rouletabille,” remarked M. Henri-Robert. “I’ll wager that
he isn’t worrying about anything.”
“But how pale he is!” exclaimed M. Andre Hesse in an undertone.
The young reporter joined us and pressed our hands in an absent-minded
manner.
“Good morning, Sainclair. Good morning, gentlemen. I am not late, I
hope?”
It seemed to me that his voice trembled. He left our pew immediately
and withdrew to a dark corner, where I beheld him kneel down like a
child. He hid his face, which was indeed very pale, in his hands, and
prayed. I had never guessed that Rouletabille was of a religious turn
of mind, and his fervent devotion astonished me. When he raised his
head, his eyes were filled with tears. He did not even try to hide
them. He paid no attention to anything or anyone around him. He was
lost completely in his prayers, and, one might imagine, in his grief.
But what could be the occasion of his sorrow? Was he not happy at the
prospect of the union so ardently desired by everyone? Had not the
good fortune of Mathilde Stangerson and Robert Darzac been in a great
measure brought about by his efforts? After all, it was perhaps from
joy, that the lad wept. He rose from his knees, and was hidden behind
a pillar. I made no endeavor to join him, for I could see that he was
anxious to be alone.
And the next moment, Mathilde Stangerson made her entrance into the
church upon the arm of her father, Robert Darzac walking behind them.
Ah, the drama of the Glandier had been a sorrowful one for these three!
But, strange as it may seem, Mathilde Stangerson appeared only the more
beautiful, for all that she had passed through. True, she was no longer
the beautiful statue, the living marble, the ancient goddess, the cold
Pagan divinity, who, at the official functions at which her father’s
position had forced her to appear, had excited a flutter of admiration
whenever she was seen. It seemed, on the contrary, that fate, in making
her expiate for so many long years an imprudence committed in early
youth, had cast her into the depths of madness and despair, only to
tear away the mask of stone, which hid from sight the tender, delicate
spirit. And it was this spirit which shone forth on her wedding day,
in the sweetest and most charming smile, playing on her curved lips,
hiding in her eyes, filled with pensive happiness, and leaving its
impress on her forehead, polished like ivory, where one might read
the love of all that was beautiful and all that was good.
[Illustration: Rouletabille had hidden himself in the shadow of a
pillar.]
Public-domain text, read in full here on John Shaqi.
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