Delphi (Extinct city) -- Fiction; Greece -- History -- Persian Wars, 500-449 B.C. -- Fiction; Historical fiction
“Oh, will he give one to me?” she asked, her hands clasping suddenly
close to her breast. “If I make a prayer to him and a sacrifice—a big,
big sacrifice like Father’s? A sheep, and burn it all up with leaping
flame till it smells so good—so good?”
Her baby nose sniffed deliciously and all the men laughed.
“And where will you get your big sheep?” teased one.
“Nay, do not spoil her hope,” spoke Pindar quickly. He drew the lyre
toward her and instantly her chubby hand reached out to touch the
strings, sounding them lovingly, softly.
Pindar watched her, absorbed.
“The god will give you your song, darling. Apollo’s answer is already in
your eyes and fingers.”
“Do you think so, Pindar?” asked Nikander, amused. “Yet even so the child
must not stop our feast. Medon, will you carry her back to her nurse?”
Nikander expected that she would cry and struggle, but she leaned over
and kissed the lyre, then went away with Medon, quite satisfied.
Ever from that time Theria awakened at the first sound of Pindar’s lyre.
She would steal down as near as she dared. If the door were shut she
would press her ear against it in her eagerness to hear. If it were open
she would crouch in its shadow. The slaves passing to and fro with the
feast never told. Theria was a favourite with them.
It was Pindar’s habit to bring his songs to Nikander when they were
glowing new. Nikander, a poet who had never written himself forth, had
the keenest sense of poetic values and Pindar was glad of his judgments.
Sometimes an ode would be sung again and again before both pronounced it
right. Then Pindar would go out into the Delphic starlight humming the
altered, perfected refrain:
“Harken, for once more we plough the field
of Aphrodite of the glancing eyes,”
or
“In anywise to slake my thirst for song,
The ancient glory of thy forefathers summoneth me,”
or he would address his own songs, calling them
“My lords of lute,
My feathered arrows of sweet song,
My golden pillars of sweet song——”
These were the familiars of Theria’s childhood and entered into the
fabric of her mind. Pindar, as he strode singing away, little recked of
the girl-listener drinking at his fountain and transmuted in all her
being by his supreme expression.
CHAPTER VII
WHAT GIFTS THE GUESTS BROUGHT
It was through a guest that Theria first came to visualize those distant
colonies of the west which gave so many gifts to Delphi and played so
important a part in Delphi’s life.
He was a simple-seeming guest, this young man from far-away Elea in
Italy. But child though Theria was, she could not but note his face. It
shone with an almost startling quietness, a robust and heavenly calm. The
soul of the man had been dipped deep and deep again in abstract thought.
Earthly things were washed away. The “Parmenidean Countenance of Peace”
was soon to be recognized throughout Hellas, for even the disciples of
Parmenides acquired this same look.
Public-domain text, read in full here on John Shaqi.
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