Delphi (Extinct city) -- Fiction; Greece -- History -- Persian Wars, 500-449 B.C. -- Fiction; Historical fiction
One day, as the priests broke up their council after the giving of the
Oracle, the old Akeratus, president of the priests, detained Nikander. He
told him that his boy Dryas had been chosen the “Laurel-Bearer” for the
next Strepterion feast. It was the greatest honour the Delphians could
give to a young Delphian boy. Then Nikander went home feeling that his
cup of joy was full.
CHAPTER IX
LAUREL FROM TEMPÈ
Theria’s joy, too, was full. The tie between Dryas and herself was very
strong and his happiness closely touched her.
But, oh, the further marvel! Theria was to go up to the Precinct to see
the sacred rite. She was older now. Had she not already dedicated her
girlhood toys to Artemis? Soon she would be a woman and for women there
were certain rare occasions when they might visit the temple place.
The new white himation which she was to wear she hung on a peg in her
room. Gazing at this, fingering it, she could almost realize she was
about to go to the Precinct. The joy caught strongly at her throat. Every
day she begged her mother to name over each temple that she was to see,
each treasury, each statue that flanked the Sacred Way until Melantho
clapped hands over her ears and ordered her out of the room.
Theria never moved quietly about the house. She always ran or skipped.
Now as she ran, she sang aloud or, leaping into her swing in the court,
she swept upward like a swallow, until she could see high over the
balcony into the second-story rooms. The whole house felt the contagion
of her joy.
“I’m to attend little mistress,” boasted Nerea in the kitchen. “By
Hermes, the best o’ the festival will be to see her face goin’ into the
gates.”
The Strepterion was a festival which like the Pythia came every fourth
year. At the Strepterion was performed the sacred drama, “Apollo Killing
the Python,” the very same which Dryas had acted in play when a baby, and
now he was to act it in earnest.
Midway in the Precinct was built a temporary hut called the Palace of
the Snake. And the snake would be there, a marvel of contrivance, his
ugly dragon head, with open mouth and teeth, resting on the threshold.
Dryas, arrayed as the boy Apollo, must in mimic dance and gesture fight
the dragon. A chorus of boys carrying torches would sing the story. Then
after the struggle Apollo must lift his silver bow and shoot the dragon.
It would die with great writhings and agony—a joy to the crowd.
Presently all the actors would come in solemn, silent procession down the
Sacred Way. They would pass out of the gate of the Precinct, through the
village, and away on the western road.
Thus would begin a long journey which would take from moon to moon.
Symbolically, the actors would journey to the land of the Hyperboreans
beyond the north wind. Actually they would trace an ancient way of
pilgrimage, the Pythian Way, to the Vale of Tempè.
Public-domain text, read in full here on John Shaqi.
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