Delphi (Extinct city) -- Fiction; Greece -- History -- Persian Wars, 500-449 B.C. -- Fiction; Historical fiction
“Tut,” he said, “I meant no harm.” Then he turned to the poet: “Pindar,
I hope you are coming to us to-night, speaking of feasts; a symposium in
Dryas’s honour.”
Pindar frowned at the young man’s forwardness but assented, then smiled
again as he turned to Dryas.
“It was almost as good as your father’s victor song years ago.”
“Oh, better, much better,” urged Nikander. At which Pindar moved onward,
laughing, shaking his head. A lovable man, Pindar.
They arrived finally at their own door. All the slaves were there bowing
and curtseying, Medon, the old pedagogue, at their head. He peered up
eagerly to see if the boy really wore the laurel crown and, at sight of
it, trembled visibly with joy.
“Little Dryas, little Dryas,” he crooned, all love.
Nikander must needs stop to rehearse all his happiness to the old
servant. And who so glad to hear as Medon!
“All Dryas’s songs have been good,” Nikander finished. “But, oh, this one
to-day is in a new class! Do you know what the rascal did, Medon? Brought
out an utterly new poem, different from any I ever heard. Imagine my
amazement when he started out—and my delight!”
“Yes, Master, yes!” assented Medon.
As they talked, they had been moving slowly through the andron and now
entered the women’s court.
Melantho, the mother, hearing them enter, came running down the stair to
fold her son in her arms. Baltè, the old nurse, hobbled up. Nerea, Clito,
and other slave girls came and kissed the hem of his robe.
But Nikander missed one member of the household.
“Where is Eleutheria?” he asked.
Then he caught sight of her standing in the far corner of the court—his
daughter, tall, delicately flushed with that air between shyness and
pride which is common to all new-flowering things.
“Daughter,” said Nikander, “we have come home with the crown!”
She bowed her dark head, fingering her distaff with its tangled threads.
“Come, my dear,” said Nikander, snapping his fingers to hasten her.
“Come, greet your brother victor.”
Then she looked up—a face full of some strange startling emotion.
“No,” she half whispered.
“No? What on earth do you mean?”
“I cannot,” she spoke sharply. “I cannot praise him.”
“You are ill,” said Nikander, going to her. Indeed he feared some fever
had deprived her of her wits.
“No, I am not ill.”
“Then what madness is this? What nonsense!” Nikander could hardly believe
in this sudden quarrel darkening the brightness of his day of joy.
Dryas crossed over to her. He was ever the peacemaker.
“What has happened, Theria?” He began gently.
Her great eyes looked fearfully at him.
“You know perfectly well what has happened. How dare you ask!”
Nikander was now thoroughly angry.
“Theria,” he said, “greet your brother at once or go to your room. Your
whims are unbearable.”
“Theria,” began Dryas again. But at his urging voice her anger took flame.
“I won’t praise you!” she cried wildly. “You know the song is mine, mine.
I made it myself.”
Public-domain text, read in full here on John Shaqi.
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