The Persian Literature, Comprising The Shah Nameh, The Rubaiyat, The Divan, and The Gulistan, Volume 2Sadi
General
The Persian Literature, Comprising The Shah Nameh, The Rubaiyat, The Divan, and The Gulistan, Volume 2
Sadi
Persian literature -- Translations into English
Notes: Volume 1 of this work can be found in Project Gutenberg's library.
See https://www.gutenberg.org/etext/10315
A few original typesetter's errors (inconsistent spelling,
superfluous quotation marks, and the like) have been corrected
in the interests of producing a smooth-reading text.
The reader will also occasionally find a line of asterisks
between sections. These are found in the original and they
indicate a missing section. It is not clear why the translator
skipped these sections. Reference to another, complete,
translation of the Gulistan shows no appreciable differences,
in length or subject, between the sections included and those
excluded.
PERSIAN LITERATURE
comprising
THE SHÁH NÁMEH, THE RUBÁIYÁT
THE DIVAN, AND THE GULISTAN
Revised Edition, Volume 2
1900
With a special introduction by
RICHARD J. H. GOTTHEIL, Ph.D.
Professor of Rabbinical Literature and the Semitic Languages
at Columbia University
CONTENTS
THE GULISTAN
Introduction
CHAPTER
I. Of the Customs of Kings
II. Of the Morals of Dervishes
III. On the Preciousness of Contentment
IV. On the Benefit of Being Silent
V. On Love and Youth
VI. Of Imbecility and Old Age
VII. Of the Impressions of Education
VIII. Of the Duties of Society
THE GULISTAN
BY
SA'DI
[Translation by James Ross]
INTRODUCTION
The Persian poet Sa'di, generally known in literary history as
Muslih-al-Din, belongs to the great group of writers known as the
Shirazis, or singers of Shiraz. His "Gulistan," or "Rose Garden," is the
mature work of his life-time, and he lived to the age of one hundred and
eight. The Rose Garden was an actual thing, and was part of the little
hermitage, to which he retired, after the vicissitudes and travels of
his earlier life, to spend his days in religious contemplation, and the
embodiment of his experience in reminiscences, which took the form of
anecdotes, sage and pious reflections, _bon-mots_, and exquisite lyrics.
When a friend visited him in his cell and had filled a basket with
nosegays from the garden of the poet with roses, hyacinths, spikenards,
and sweet-basils, Sa'di told him of the book he was writing, and
added:--"What can a nosegay of flowers avail thee? Pluck but one leaf
from my Rose Garden; the rose from yonder bush lasts but a few days, but
this Rose must bloom to all eternity."
Public-domain text, read in full here on John Shaqi.
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