Sometimes, if you have the courage of your convictions and the proper fashion of seizing opportunity by the throat you may wander into one of the tunnel-like gateways of one of these very old houses. No one will halt you. Here it is--old France in new America. The tunnel-like way from the street is shady and cool. From it leads a stair to the right and the upper floor of the house, a stair up which a regiment might have walked, and down which the old figure of a Balzac might descend this moment without ever a single jarring upon your soul. The stair ends in a great oval hall, whose scarlet paper has long since faded but still remains a memory of the glories of the days that were. The carved entablatures over the doors, the bravado of cornice and rosette where the plaster has not finally fallen, proclaim the former grandeur of this apartment. And in some former day a great chandelier must have hung from the center of its graceful ceiling. Today--some one of the neighboring antique stores has reaped its reward, and a candle set in a wall-lantern is its sole illumination. A shabby room will not bear the glories of a gay chandelier. And the old Frenchman and his wife who live in the place have all but forgotten. They have a parrot and a sewing-machine and what are the glories of the past to them? Of course, such a house must have its courtyard. And if the huge copper-bound tank is dry, and the water has not forced its way through the battered fountain these many years, if the old exquisite tiles of the house long since went to form the roof of the new garage of some smart new American place up the river--the magnolia still blossoms magnificently among the decay, and Madame's skill with her jessamine and her geraniums would confound the imported tricks of those English gardeners in the elaborate new places. Here then is the old France in the new land--the priceless treasure that New Orleans wears at her very heart. And here in the very heart of that heart is an ugly old building boarded up by offensively brilliant advertising signs. [Illustration: You still see white steamboats at the New Orleans levee] An ugly old building did we say, with rough glance at its rusty façades? Can one be young and beautiful forever? Rusty and beautiful--oh no, do not scorn the old St. Louis Hotel for following the most normal of all the laws of Nature. For within this moldering and once magnificent tavern history was made. In one of its ancient rooms a President of the United States was unmade, while in another chamber human life was bought and sold with no more concern than the old Creole lady on the far corner shows when she sells you the little statues of the Blessed Virgin.